Jacques Vallée

Survivors of the 1945 bombings of Hiroshima and Nagasaki travel to New York for a UN conference on disarming nuclear weapons.

A facially disfigured author's life with her guardian of a sister is disrupted when a stranger arrives at their door, claiming to be a fan.

This bold "graffiti" essay on the Pope, Michael Jackson, the Olympic stadium, and the manipulation of the masses, provided a fresh glimmer of hope in a decade of institutional complacency. In Passiflora (named after the anaesthetic tropical flower), the animation, "new music", street theater and dramatization deployed builds on Belanger's observations of the two media stars' simultaneous visits to Montreal to meet with their followers. The film celebrates the resistance shown by a coalition of the unsubmissive: gays, transgendered people, youth, battered women, psychiatric patients, abortion activists and women who have had abortions.

Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.

A group of friends reunite after thirty years of separation.

In 1945, Great Britain and the United States organized a bombing raid that devastated the ancient city of Dresden. This short documentary returns exactly 40 years after its destruction and celebrates its renaissance with the re-opening of one of the most beautiful opera houses in Europe. One guest at this gala was the Canadian navigator of one of the bomber planes, returning to Dresden on a mission of peace that brought him face-to-face with the people who were once his enemies.

Half a million wives work with their husbands in family-run businesses, but most have no legal title to any part of the operation. This documentary focuses on several farm wives who are seeking their fair share of the family farm. In frank and friendly discussions with their husbands and with financial advisers, the women learn about co-ownership. The importance of having a legal arrangement becomes clear when a former farm wife tells how she lost everything she thought she owned when she and her husband divorced. The film encourages women to recognize the economic value of their work and to seek the legal recognition of their status and of their right to an equitable financial share.

Julie is the daughter of Eddie, an impresario who manages the career of Paul (Jean-Pierre Ferland), a hyperactive pop singer. From an early age, Julie, a difficult child who has been forgiven everything since the death of her mother, falls in love with Paul. The love of a child gradually turns into a real adolescent obsession, then into adult desire. Unfortunately for her, Paul loves all women, but none in particular. Above all, he loves his freedom and making music. While Paul is spending time at his farm in Saint-Norbert working on arrangements for new songs with his group of musicians, Julie unexpectedly arrives with a motorcycle gang and crashes at his place for a few days. The result of this stay was a song, "Vivre à deux", which is sure to be a hit. But then came the day when Julie had to leave again.