Alice Andrade Drummond

Between the scars of the past and the uncertainties of the future, Jardim Panorama resists. A little over ten years ago, the favela was ripped in half by a monster. Today, the monster sleeps. Until when? A film about the dreams, memories and daily life of those who live in a community surrounded by the walls of an upscale neighborhood in São Paulo.

Set shortly after former President Dilma Rousseff’s impeachment, Control Plan follows a young Brazilian woman who uses her cell phone’s teleportation service to flee the country.

It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.

May 2019: Two Brazilian women traveled to Algiers during the demonstrations of Hirak, a popular movement for democracy. In the middle of the crowd, they met a young girl. The sea that separates them is the same one that can join them together.

Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.

An audiovisual experiment showing female power in its various possibilities. It evolves through three narrative moments: the prologue, the central narrative, and the epilogue. The first materializes and at the same time rebels against the cultural construction of the "cult of the Phallus". In the second moment, we can see the formation of a network of protection and mutual help among women, exalting their bodies and their powers. And the last moment is practically a making off, with real scenes of all the women in the cast recording the video.

Vitória decides to stop taking the abuse at the factory and goes in search of someone who will listen to female workers. Made with employees from a textile company in rural Minas Gerais. An urgent story, now that Brazil's extreme right-wing government is destroying social structures at a rapid rate.

Fragments of the approximation between two boys shows the naive curiosity of Celio for Dario, the assumption of Sofia by this approximation and the previous interest of Dario for Celio.