Thomas Wiesel

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.

A show about the confined current affairs of 2020 (but not only) based on laughter, song, dance and the joy of being in a theater, among real people.

The Fête des Vignerons is opening its doors to Swiss comedians and searching for that rare gem for its 2019 edition. While artists from the new generation are rushing to audition, Marie-Thérèse Porchet doesn't understand why she should stoop to auditioning, as she is so certain that she alone embodies the spirit of the legendary Vevey festival. Will she achieve her goal despite stiff competition?