Jamol Hoshimov

Acting

Jamol Hoshimov

Born December 30, 1948 · Uzbek SSR, USSR (age 77)

No biography available.

Known For

Abdulladzhan, or Dedicated to Steven SpielbergAbdulladzhan, or Dedicated to Steven Spielberg · 1992
Abdulladzhan, or Dedicated to Steven Spielberg
6.11992
MovieComedyScience Fiction
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
Main DayMain Day · 1974
Main Day
5.71974
MovieDrama
A film about the friendship between the workers of the Uzbek collective farm 'Leningrad' and the city of Lenin. This friendship has grown stronger and developed over more than four decades. The film takes us back to the distant and difficult 1920s, when the farmers of Fergana sent a wagon of fruits to the workers of the Putilov factory. In return, the workers gifted the collective farm two tractors and sent their representatives to help set up the new machinery.
Girl from the LegendGirl from the Legend · 1980
Girl from the Legend
1980
MovieWarHistory
There is a civil war in Turkestan. Many people stood up in arms to defend the young Soviet government. Among them is the young Mayna Khasanova. She devoted her life to the struggle for the ideals of revolution. Mayna, as a girl from a legend, will accomplish a feat, a story about which many generations of Soviet people will betray by word of mouth. The young heroine will be awarded the Order of the Red Banner of Battle.
AwakeningAwakening · 1983
Awakening
10.01983
MovieHistory
Reconstructed from archival documents and historical studies, a chronicle of the 1916 popular uprising in the Hungry Steppe and the Jizzakh Steppe.
My Good ManMy Good Man · 1973
My Good Man
1973
MovieDrama
Based on the story by U. Nazarov "Audacity".
The Seventh GenieThe Seventh Genie · 1976
The Seventh Genie
1976
MovieFantasyFamily
In some kingdom was inhabited by seven Genie. Six are evil and one is good. Good Genie, despite the machinations of evil, helped the potter Nabi cheat khan to give water to irrigate the land of the poor.
Ajoyib xayolparastAjoyib xayolparast · 1978
Ajoyib xayolparast
1978
MovieComedy
The story of Hasan the doctor, who dreamed of making a quick profit by raising rabbits, and who became distant from his wife and those around him.
The Seventh BulletThe Seventh Bullet · 1973
The Seventh Bullet
5.21973
MovieAdventureWar
Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!

Filmography

Sort
Abdulladzhan, or Dedicated to Steven SpielbergAbdulladzhan, or Dedicated to Steven Spielberg · 1992
Abdulladzhan, or Dedicated to Steven Spielberg
6.11992
MovieComedyScience Fiction
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Matkaul

The BodyguardThe Bodyguard · 1979
The Bodyguard
5.31979
MovieActionWestern
The setting is Central Asia during the Russian civil war. In the post-revolutionary twenties, when the power in European Russia was (officially) "fully in the hands of the workers and peasants", but the fight against the Basmachi rebels was in full swing. When a Red Army detachment captures Sultan Mazar, the brains behind the Bazmachi contingent, a decision is made to escort urgently the prisoner to the Bukhara province. The difficult mission is entrusted to a grizzled mountain trapper and conscientious revolutionary called Mirzo. His expertise is essential to traverse the precarious paths and steep mountain ridges along the way, impossible terrain for the inexperienced. A group consisting of Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla set off on this journey. They are forced to fight on the mountain ridges as well as negotiate the natural dangers and harsh elements.
Without FearWithout Fear
Without Fear
3.4
MovieDramaHistory
A Bolshevik army officer and Uzbek who has been nursed back to health by a young Uzbek woman to whom he is now married, gains responsibility for the local village in 1929. He is urged by comrades in Tashkent to have the local women drop their chadors and veils but he is also told that he should not force this on anyone. His wife declines to take off her veil, so a 14 year old girl steps forward to set the example, over the objections of the local Muslim clergy and most of the village men. After the girl is killed, and the commissar is shot, his wife takes him to the hills to nurse him back to health once again. She begs her husband to leave the village. Instead when he decides to return, she is pressured by her father to continue to wear the veil.