Yuliya Batalova

Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.

Alex glides his mouse tenderly over online images of Vika. He has been smitten ever since he saw her with her friends and cannot get her out of his head. Unfortunately, Vika is beyond Alex’s reach because he's not welcome in her neighborhood. Nonetheless, Alex sneaks into a disco at her school and finds up the courage to ask her to dance. Moments are intense as Alex feels infatuation for the first time.

The naive school teacher Lena suddenly loses both her job and her husband. "The problem is definitely in me," she decides, and on the advice of a friend, she signs up to reshape herself for the "Become a Goddess" training. The result is obvious: a new image and a loving admirer Andrey. It's just not clear whether Lena managed to find herself, and whether something very important was lost in the process.

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

This movie is about soccer hooligans, the most aggressive and violent soccer aficionados. They are an exclusive group, the elite of all soccer fans. Whoever they may be in their everyday lives—college students, bankers, musicians, or car mechanics—they are a “firm.” It’s easy to get into a firm, but once you’re in, it’s for life. There’s no going back. The movie is based on actual events

Kolya wakes up after a terrible drinking binge. He is awakened by a call from his sister, who tells him that their father's body has been lost in the morgue. Kolya is indifferent to this news, but suddenly, while walking around the apartment, he stumbles upon his father's body in his bathroom. Now Kolya is forced to secretly return his father's body to the morgue.

1990s. Gangster Kyiv. A team of four men is assigned to deliver a girl from Prague, nicknamed "Alien", the sister of a recently arrested criminal called Babai, whose testimony could damage some important people.

A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.

The film’s heroine is the gynaecologist Masha, whose husband leaves her. When a man leaves his wife, he carries away all her hopes for a future. Of course, it would be noble to let the husband go, but Masha is a strong woman and begins a desperate struggle for her infidel husband Misha. The power is unequal. Masha is already well in her thirties, while the fitness-trainer Oksana is just over twenty. But behind Masha stand a great experience of life and two small children. In this situation she is ready to use the entire arsenal available, including extraterrestrial forces. The young Oksana relies only on feelings. And on her fine figure, her magnificent hair and irrepressible temperament. Who will win this fight and get the prize? And what happens when the dream of one of them will become true?

The shrill and tragic story about an event that involved Count Lev Nikolaevich Tolstoy. In an infantry regiment of the military based in the Tula region an offence occurs. In this regiment, the capital’s lieutenant Grigory Kolokoltsev — inspired by progressive ideas — does his service. A military tribunal and execution await the soldier charged with the offence. Kolokoltsev asks Count Tolstoy for help — and he decides to protect the innocent man. The pointed history about the complexity of choice and fidelity to one’s ideals is based on real events.

A two days from the life of Pyotr Drozdov, a highly ranked official from Moscow, which he spends with young museum employee Masha.

Yura, a traffic police officer disappointed in love, turns out to be an accidental guest of a wedding party at the dacha of Moscow creative youth. The happiness of the young couple and the atmosphere of the evening make him remember his own feelings.

One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which rapidly becomes the most important moment ever in their universe, and looks like the ideal way to escape their daily lives...

A storry about a friendship between two very different women.

A genuine satiric comedy, based on real conversations - both amusing and sad - overheard by a journalist in one of the most expensive Moscow restaurants. Hilarious and revealing, this is a film about women who choose between affection and money, film producers that don't really know what they're filming, and weary businessmen who sometimes say screw it, down a shot and leave their mother-in-laws to pay the bill. But most of all, it's about true love that favors noisy kitchen floor over gilded fine-dining halls.

30-year-old Muscovite Aiko’s father, with whom she had not communicated for many years, died - he was a tyrant, and she does not feel sorry for him. But for some reason she goes to Kazakhstan for the funeral, where she sees her father’s second family for the first time: the sister is unbearable, the brother is out of this world, the stepmother is the same age as Aiko herself. And the strangest thing is that for them dad was completely different.

An old and wealthy actor, whose life's obsession is to play King Lear, suffers from a family tragedy of his own that turns him into a real-life Shakespearean character.

Karina comes from Moscow to a small Tatar town to visit her parents. The father treats his daughter for her way of life. Karina's mom shares a secret with her, which becomes a serious opportunity to take revenge on her father for all the insults.

Based on the Russian classic novel. While maintaining all the main plot-lines of the novel, it follows the events not as they happen but as they are reflected in the mind of the dying hero. Thus make a chain of recollections about the life he had lived through, now seen as a series of irrevocable mistakes and interpreted anew: it is either reconsideration or repentance. Recollections make main hero torment himself over his own past pretenses that seem ridicules now agonize and despair over his perfect indifference to everything except himself, see the horrible aspect of killing his friend, a greenhorn and a show-off. The final action of an intelligent and outstanding man is judging oneself without mercy.

The plot revolves around the rehearsal of the play “Excitement” in which Freindlikh is to play a famous American writer from New York. The actress and director have heated debates about the eccentric character. They discuss the process of creation, its mysterious mechanisms, the birth of a work of art in general. They also talk about the world around Alisa outside the theatre – her family, home, friends, interests and her beloved St. Petersburg. The film is meant to commemorate the great Russian actress’s 85th anniversary.

Biography of the most famous Russian chansonnier of the twentieth century. The story of the artist who left Russia in 1919 and returned to the USSR in 1943, in the midst of World War II. Vertinsky lived, sang and was popular in Constantinople, Paris, Berlin, New York, Los Angeles, Harbin, Shanghai and Moscow. He was loved by beautiful women, he was applauded by royalty and thieves. He was a bohemian man, light and cheerful. However, this picture is primarily about his kindness. About the ability not to judge, but to regret, to sympathize with anyone. And for this, fate gifted him with great success and late family happiness. This is a story about how a songbird, an artist, a frivolous creature can live a life that causes both envy and respect.

This is a story about commitment and dedication to one's talent which resonates with the difficult topic of the mother's love deficit that is relevant for many.