Xabier Erkizia

An actress goes to Azores to take part in the theatrical tour of The Tempest and on her arrival she finds no one from the company, there is not even a theatre. After meeting Ariel, the actress discovers that the play has already started, the whole island is a theatre and its inhabitants are characters.

Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.

In an attempt to reclaim pasture for their cattle, the inhabitants of an ecovillage in Navarre decide to cut down a pine grove planted as part of a state-funded reforesting initiative. In this fierce and sensory work, the filmmakers capture an adversarial process which uses deforestation techniques to transform a territory.

Inés travels to India to visit her friend Ámár, who has been living in a mental institution for years. Inés remembers the last days they spent together and her promise to return.

An experimental film on the geographic and historical voyage of the peculiar sound of the so-called 'Basque ox carts'. Said sound, which could be heard until the decade of the 60s in part of the Bay of Biscay, has now practically disappeared from the Iberian peninsula. The film travels from the silence of the sound in our territory today, until its reappearance, following years of research, in the central area of Brazil.

Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.

How much does private life impact on art? Julen uses persons. The power and domination that a man exerts to make a film. Marian uses her friend June. Using friends to make a movie. Using people to make a movie. The money. Maybe a film has nothing to do with art or storytelling, maybe it's just another way of exercising power.

“That day a phantom sound started to ring in my head: a whistle with some cicadas that only I heard, or perhaps someone else could too. Like most people, I avoided silence so as not to hear my inner self. Because silence is only the beginning.”

Is it possible to travel twice to the same memory? The filmmaker built a cabin on an isolated riverbank, just opposite his childhood island, which had disappeared under the water after the construction of a dam. The goal was to go back to that place, which had become invisible. Only the trees of the island where he’d played stood firm in the middle of the water, like the masts of a broken toy boat, so the air was the only space left, the only vestige of the past to be conquered. This film is a diary of a castaway in memories: four months of a Walden experience in a lost paradise with two hens, a small vegetable garden and a clock that stopped forever at 11.36 and 23 seconds.

A church organ, a family, harmony and faith. David's sisters suddenly convert to Catholicism and he tries to grasp what is behind this personal transformation mechanism.

In the shadow of the forest, a flash goes through the darkness making the matter vibrate. Air, water and earth tune in to a cycle that begins and ends without anyone noticing. Before, everything was white. Now, it's just a vestige, while time advances and everything transforms. Between the visible and the invisible, everything is on the verge of being born or fading. A murmur in the current. Under the surface of the sea, the sound dissolves, the fish slide like shadows between reflections. The night returns, the stars insist. The light filters between the branches, showing what the gaze does not reach. With each 16mm frame, Pneuma reveals the essence of what persists, inviting us to feel the presence of the invisible that surrounds us.

A shot breaks the dusk. Hunters with GPS screens follow their dogs into the forest, and the night catches up with them. Elsewhere, Maina counts her sheep daily. The wolf has been sighted nearby. Adam, fascinated by this apparition, goes out to look for it with his camera, taking advantage of the full moon. Everyone relates to the animal in their own way, but they agree on one thing: they all want to see without being seen.

A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.

In a spa surrounded by mountains of salt, guests relax while workers collect the glowing crystals in the sun. Children slip away, a woman drifts through. As night falls, the space transforms, shaped by the desires of its visitors.

Animated documentary which uses the voices and drawings of a group of children who live in a clinic in India. The guitar, the dances, a trip out to sea, the cats Sweety and Kitty, and the sisters who look after them are just some of the treasures and dreams which the children keep hidden under the pillow.

If you want to know who you are, dance. Oskara traces Basque culture, its myths, from its origins to the present, through the "dantza".

Twelve short films, twelve portraits of the city of San Sebastian.

Distant lights reveal the outline of a city. Illuminated ships cross the water with sleeping people on board and the night appears to become liquid. The sower of stars wakes them and travels with them through the city. They talk about this and that – and say goodbye to everything.

The horrors of a shipwreck, the bells of aforgotten lighthouse and the coming and going of the tides surround a tale about the sea. 'Sailor’s Grave' is the result of a workshop based on a work method taking its inspiration from the exquisite corpse game, a mechanism of collective creation where the participants manipulate and transform one another's drawings to construct an intuitive, improvised narration.

The film follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.

A journey around the ruins of this house in Irun, in which the artists Jorge Oteiza and Nestor Basterretxea lived between 1957 and the mid-1970s.

The Basque word hezurbeltzak does not appear in dictionaries. It is a non-existing word used to describe socially invisible groups. Its literal translation would be "black bones".

St. Agatha's Eve is a deep-rooted Basque tradition in which people walk from house to house, accompanied by improvised verse-makers (bertsolaris), singing verses to the beating of long sticks. Building on this celebration, bertsolari Maialen Lujanbio composes a stark denunciation of gender violence. In verse after verse, she condemns the different manifestations of sexist violence and our inability to combat it.