Alberto Mayagoitia

Estridor

Acosado

Pandilleros

Short film.

Lucrecia

Three boys kidnap a nightclub dancer and take her to the country house, where they hope to convince her to teach them the secrets of the art of making love.

Zapata en Chinameca

Urbino Martínez, on his deathbed, regrets his wrongdoing after betraying Emiliano Zapata.

Madres egoístas

Madres egoístas is a Mexican telenovela produced by Juan Osorio for Televisa and originally broadcast on Canal de las Estrellas from February 4 to June 7, 1991. It is a remake of the 1963 telenovela of the same name produced by Valentín Pimstein. Created by Mimí Bechelani and adapted by Josefina Palos y Romo, the telenovela stars Julieta Rosen, Enrique Novi, Orlando Carrió, and Chantal Andere. The story follows Raquel Rivas Cantú, a young orphan and heiress who is raised by her housekeeper Mariana, a woman who secretly carries resentment against the Rivas Cantú family. After marrying Pablo, a widower with a daughter, Raquel's life becomes marked by tragedy, family conflicts, and betrayal. As secrets from the past emerge, Raquel and her loved ones must face revenge, ambition, and the search for justice and happiness.

Como en el Cine

Como en el Cine is a Mexican telenovela produced by TV Azteca in 2001. Created by Veronica Suarez, it was directed, produced and executive produced by Don Antulio Jimenez Pons. Lorena Rojas and Mauricio Ochmann are the Main Protagonists.

Rosa Salvaje

The drama tells the story of Rosa, who lives with her godmother in a very poor neighborhood; she is a simple girl who dresses like a boy. She was abandoned by her mother, Paulette. One day, Rosa goes to a mansion to steal apples and meets the owner of the house, Ricardo.

Estridor

Acosado

Pandilleros

Short film.

Lucrecia

Three boys kidnap a nightclub dancer and take her to the country house, where they hope to convince her to teach them the secrets of the art of making love.

Zapata en Chinameca

Urbino Martínez, on his deathbed, regrets his wrongdoing after betraying Emiliano Zapata.

Madres egoístas

Madres egoístas is a Mexican telenovela produced by Juan Osorio for Televisa and originally broadcast on Canal de las Estrellas from February 4 to June 7, 1991. It is a remake of the 1963 telenovela of the same name produced by Valentín Pimstein. Created by Mimí Bechelani and adapted by Josefina Palos y Romo, the telenovela stars Julieta Rosen, Enrique Novi, Orlando Carrió, and Chantal Andere. The story follows Raquel Rivas Cantú, a young orphan and heiress who is raised by her housekeeper Mariana, a woman who secretly carries resentment against the Rivas Cantú family. After marrying Pablo, a widower with a daughter, Raquel's life becomes marked by tragedy, family conflicts, and betrayal. As secrets from the past emerge, Raquel and her loved ones must face revenge, ambition, and the search for justice and happiness.

Como en el Cine

Como en el Cine is a Mexican telenovela produced by TV Azteca in 2001. Created by Veronica Suarez, it was directed, produced and executive produced by Don Antulio Jimenez Pons. Lorena Rojas and Mauricio Ochmann are the Main Protagonists.

Rosa Salvaje

The drama tells the story of Rosa, who lives with her godmother in a very poor neighborhood; she is a simple girl who dresses like a boy. She was abandoned by her mother, Paulette. One day, Rosa goes to a mansion to steal apples and meets the owner of the house, Ricardo.

La Revancha

La Revancha is a Venezuelan telenovela that was produced by and seen on Venevisión. This telenovela lasted 247 episodes and was distributed internationally by Venevisión International.

La última esperanza

La última esperanza is a Mexican telenovela produced by Eugenio Cobo for Televisa and originally broadcast on Canal de las Estrellas from February 1 to May 14, 1993. It is a remake of the 1973 Mexican telenovela Muñeca, which was itself based on the 1971 Argentine telenovela Así en la villa como en el cielo, created by Abel Santa Cruz. The story follows Estelita Suárez, a kind-hearted young woman who lives in the impoverished neighborhood of La Última Esperanza while caring for her alcoholic father. Her life changes when she meets Daniel Burana, a wealthy young man who disguises himself as a poor resident to win her love. As their romance blossoms, they must confront family greed, corruption, and betrayal while fighting to protect their community from those determined to destroy it.

Pobre juventud