Vladimir Gojun

Introverted 16-year-old Lucia befriends a popular student after joining an all-girl choir at Catholic school. When the choir travels to a convent for a weekend of rehearsals, Lucia starts to navigate the unfamiliar surroundings, complex teenage social structures, and her own sexual awakening.

A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.

30-year-old Anna seeks a stable foundation in her relationships but unknowingly repeats the manipulative patterns learned from her mother. When she crosses paths with a terminally ill patient and his devoted wife, Anna experiences a profound love that transforms her life.

Origolab, an internationally renowned genetical engineering company, establishes a new headquarters within the walls of a small medieval town in Istria and Boris, an ambitous up and coming biologist, gets a position in it. However, he discovers a terrifying secret: whilst Origolab might be on the verge of a scientific breakthrough with discovering eternal life, they have been kidnapping local children to achieve this, putting him before a moral dilemma. Should he try to save the most recent kidnapping victim? Or will he bend under the promise of the scientific discovery of a century?

A documentary about Sarajevo’s preeminent Yugoslav-era businessman and mayor, Emerik Blum, and the inner workings of his engineering company, Energoinvest.

Roko Markovina, a former socialist and unionist politician from the city of Mostar in Herzegovina, reflects on the situation in Croatia and Bosnia during wartime and about the fruitless efforts that he and his wife went through to get back their home that had been taken away from them by nationalist forces who exiled them from it.

Even after more than 25 years since the dreadful war crimes had been taking place in former Yugoslavia, this tragic history is far from over – be it for the victims’ families, conflicting nations or for a Czech investigator who comes back to the region to carry on in his work after so many years. The documentary return voyage follows not only the paths of fleeing war criminals, but is driven by an effort to capture a part of the ethic mission of the then newly formed International Criminal Court in The Hague along, in its double nature: based on an independent investigation of war crimes, to strive for reconciliation in cases of multifarious ethnic, national and other conflicts.

The cold war, the space race, and NASA’s moon landing are landmark events that defined an era. But they are also fodder for conspiracy theories. In Houston, We Have a Problem! filmmaker Žiga Virc adds new material to the discussion on both fronts. This intriguing docu-fiction explores the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.

Željka’s younger sister Silvija begs her to let her spend the night, because their mom has just read her shameless blog and she doesn't want to go back home. The next morning, Željka takes Silvija and her best friend Danica to a TV studio where she works as a make-up artist. While getting ready to return home and face their mom, the two sisters exchange some pearls of wisdom about life.

Anamarija starts her job as a counsellor at a new school. Together with her, the viewers begin to appreciate what kind of people the staffroom teachers are, they witness the petty conflicts and also uncover the power games that go on behind the scenes. This self-assured debut from Sonja Tarokić about the individual's struggle within the system and the sheer effort required to preserve one’s integrity, also presents a complex study of an institution whose employees have taken on one of the most responsible roles an adult can have – to educate future generations.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

Hana, a shy sweet sixteen, is secretly in love with Mario, a schoolmate and half of popular youtube duo Luka & Mario. Hana observes the shoot in which Luka accidentally hurts Mario. Hana helps Mario with the wound, and gets invited to go with him and Luka to a lake where they will shoot a solar eclipse tomorrow.

Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.

Marko and Atanas are two friends whose lives would be sweet as strudel but for an annoying little problem with their papers. They need a European passport and they are prepared to do almost anything to get one, including buying a wife. With nothing but their brass necks and 7,000 euros, they set out to find the woman of their dreams.

A music documentary based on the work of Slovenian multihyphenate artist Frane Milčinski Ježek. His satyrical poems and songs from the 1950s and 60s today sound more urgent and topical than ever, and are covered by musicians ranging from Finnish avant-garde accordion player Kimmo Pohjonen, to legendary Croatian songstress Josipa Lisac, to the former Bad Seed Hugo Race. The music is produced by indie rock icon Cris Eckman (The Walkabouts), and expertly mixed with archive footage of Jezek's own performances and skits, creating a touching and thought-provoking narrative.

In a small, underdeveloped town whose only source of income is soon to be taken away by a new highway, a BnB owner turned amateur documentary filmmaker, a guru, a British artist and the latter's mechanical chicken, decide to protest the passage's construction, believing for it to be a massive conspiracy that intends to reach an oscillator constructed by Nikola Tesla that's supposedly buried deep within the mountain.

A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.

A young woman who has just moved into a new flat pays a courtesy visit to her pregnant neighbor. Chatting over coffee, the situation intensifies when the secretive neighbor starts begging the woman not to leave.

Restoring a monument made by her father, a filmmaker retraces how an artwork can be a vessel for mourning and remembrance.

Croatia, 7th of January 1992: In the middle of the war, a young journalist's body is discovered dressed in the uniform of an international mercenary group. Twenty years later, his cousin Anja Kofmel investigates his story.

Kick and Scream follows the final half-hour of a marriage. Through the perspectives of wife, husband and their six-year-old child, where reality is intertwined with puppet play, we learn about their own truths, becoming less certain of our initial judgment of character.

A group of spunky seniors launch an armed rebellion against the employees of their retirement home, where they’ve been subjected to years of abuse and humiliation. Abandoned by their loved ones and left with nothing to lose, they stage an insurrection that grabs headlines, shocks the country — and proves that it’s never too late to find something worth fighting for.

Tonina has always taken care of her family, however she never felt like they really reciprocated her with an equal amount of help and love. Believing that it's her given right, she decides to aquire the ownership rights to a small family holiday home on the island of Hvar. However, after the rest of her kin realize what she had done, tensions begin to brew and a small family gathering turns into a turf war.

All Vida wants is a baby. Instead, she is trying not to lose her mind as she juggles the men in her family - her sexist grandfather, her infertile husband, and her dad, a man-child.

A sequel to One Song a Day Takes Mischief Away (1970) set in 1964.

A single mother of a teenager in the midst of a divorce, Nevena Murtezic struggles to balance her life between her 17-year-old son, Dino, and a job constantly under pressure from politics and the public.