Mariana Russo

An attempted robbery turns to be an unexpected recruitment when two unemployed men mistakenly break into a police office instead of a store.

Manuel lives with his father, Ricardo, on the family's hunting estate. Manu is a special boy with a strange connection to the mountains that makes him the best hunter in the area. But he no longer wants to kill. An accidental shooting that nearly kills his best friend, coupled with the suspicion that his father is a murderer, compels him to flee the estate to free himself. He soon learns that his unerring aim is the only thing that can prevent Ricardo from being killed.

ELENA and CAMILO are old neighbors. Like children they spy each other and flirt in silence. New years eve come. ANA and DANIEL, their grandchildren live a romantic re encounter. PABLO discovers the magic from the first kiss with a new neighbor. A night of wishes and definitions.

The principal and teachers at an elementary school receive devastating news: the mother of Bianca, a 9-year-old student, has suffered a serious accident while on her way to pick her up. Faced with the difficulty of locating other family members, they decide to create together a support and protection space for the girl.

Separated a few months ago from Pedro, Matías invites Lucho to his house. But what seems to start fine will turn the tide when the past of Matías and Pedro’s relationship arrises in the form of the keys...

Writer and playwright Ricardo Monti travels in search of his latest creation, an adventure that will lead him to discover the map of his own life and explore how to build his legacy for future generations.

Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

When three friends go on a camping trip in a remote part of Argentina, sexual tensions quickly bubble to the surface. Once in virtual seclusion by the beach, Juli, also camping at the site, quickly recognises that that the boys seem to have a closer relationship than what she would consider 'normal'. The line between friendship and love fade further for two of the boys in particular as their desire becomes too much to bear. When what started as a simple getaway quickly becomes tinged with sex, romance, and conflict, everyone is forced to confront who they really are for the very first time.

A portrait of the life of one of the historical activists of feminism and lesbianism in Argentina. Born into a middle-class family in 1929, Ilse Fuskova was a flight attendant, a journalist, pronounced herself a feminist in 1978, in the midst of the military dictatorship, and in 1986, upon the return from the Latin American Meeting of Women in Bertioga, she recognized herself as a lesbian. Due to her skillful handling of human relationships, and inspired by European experiences, Ilse soon became involved with the entire range of militants and organizations between the 70s and 90s. She became a key figure when she broke into the main media in the 90s, assuming her lesbianism publicly, spreading concepts and opening the debate to the whole society.

Carmen fails to adapt to the world and society in which she lives. She worries about not having a partner. In a raffle he wins as a prize a week with all payment for two in Mar del Plata. She is willing not to go alone.

Two somewhat anachronistic passions occur in the days of Arturo “Tucho” Lazlo: the music from the vast collection of vinyls that rotate on his record player and the paintings that he makes in a collective workshop. The first passion seems logical considering Tucho's current condition: blindness. Painting, on the other hand, is not a task that can be easy for you; on the contrary, it is a challenge taken frame by frame that allows her to relate to the visual universe that a tragic decision has strictly denied her. This film-portrait follows Tucho's daily experiences in his connection with the world, from his art to his discomfort, with a present that evokes a macabre past in the foreground. Without detours and without blurring the specific weight of everyday moments, Andrés Hebegger manages to register the tension and rest, sadness and hope, the banality and genius of Tucho's world, without ever being condescending or mellow, always looking for distance fair.

Collective film made in times of confinement. April 2020. The film gives visual form to inner worlds—what the directors see and how they see it. How they inhabit their spaces, their bodies, their fears and perspectives in isolation, and how they connect with the “outside worlds.”

Renata is a young peasant girl from Brazil at the end of the 19th century. She lives with Salomon, the evangelical pastor of the village, and two pregnant women. Salomon performs an exorcism in which he ends up killing a Guaraní man who supposedly invaded his lands. After the event, Renata wbegins to receive different demonic signs that put her faith and her surroundings to the test.

In the mid-1950s, Sara Facio burst into the world of photography. A tireless precursor, a photographer with a unique gaze, an audacious photojournalist, with the camera on her back, “was there” whenever she wanted.

A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

Ernesto arrives in Buenos Aires from Germany, where he has lived since childhood, having been taken by his grandparents after his parents disappeared during the dictatorship. Now he has returned to the country that caused him so much harm, to take charge of the negotiations his grandfather's company maintained with Argentine firms until his recent death. As soon as he arrives in the country, fragments of a past he thought was lost return to his mind, and what was supposed to be a quick business transaction turns into an odyssey as he begins his search for a mysterious place and, unwittingly, for his own identity.

Marcelo Di Marco is a writer turned journalist, who must return to the last steps of his father, Tonio Di Marco after he dies in strange conditions.

Gloria is a lawyer who throughout her career has never been able to defend someone who was not guilty. His new client seems to be not so different: a man accused of rape in a small town where no one believes his story.

In a downtown building, old and beautiful, of the turbulent Buenos Aires, stories of men and women who keep secrets behind solid walls are intertwined. For Lucy, it is the secret price for freedom; for the Ukrainian immigrant and the Tucuman teenager, it is a refuge; for Lorenzo, it is debauchery; for Gaby and Mariano, disagreement; for Mónica and Sergio, the promise of new life. The stories are intertwined. No one is the same after opening the door to their most intimate desire

The Nieto family lives off crime: Assaults and express robberies commanded by policeman Molina, who orders the missions. Nieto executes them, with his son-in-law Boris as henchman. Nieto is already over 60 years old and wants to retire and leave something to his children, Nati, hairdresser, Marcelo, the youngest son who works security in a company and does not want to get involved in these jobs. A final mission could give Nieto the tranquility of retirement and some well-being for his family. But things do not go as expected. Marcelo must return to action and the situation will go from bad to worse.

A feature film that intertwines a handful of short fictional stories marked by the anguish that the death of loved ones always causes: two women who miss the same man, an old man who returns to the place where he lived experiences that left a mark on him in his youth, a rural town invaded by its own memories, and a mother who reunites with a son whose life hangs in the balance after insisting on unnecessary distancing.

Thirty years after living in Spain, Paco returns to Argentina to sponsor the wedding of a friend. Retired and separated from his Spanish wife, he is reunited with his affections. As always, in the last thirty years, Margarita, and retired as a teacher, life creeps forward. In the wedding party, best man and Paco Margarita like in charge of catering, intersect again but not found, until he discovers a video of the party. Love truncated by the absence and her refusal to answer his letters, reborn in a search for lost time.

An open book is the window to enter this protest short film about the wait for a permit to plant a laurel tree in the River Plate. The Viceroy, king and queen must all sign the authorization. Too much time for such a vital wish. Stop-motion animated cutouts take us on the complex path of bureaucracy to accomplish a simple action. The landscapes change to the beat of the music for the story to move forward and grow just like that tree they wish to plant.

Javier Lombardo lived a “normal” life. Children, a wife, success as an actor and writer, recognition, public affection. Pure happiness. Until he was diagnosed with Parkinson's disease. And his life changed forever. What is the meaning of life when illness strikes? How do we redefine who we are, what we dream of, what we desire? Why do we get sick? What is the purpose? These and many other questions unfold throughout the film, which attempts to illuminate all the possibilities we have for living a full life despite Parkinson's disease. Understanding the disease is the first step to feeling alive again. Even if only for short periods.