Hijas de la comedia

A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.

By chance, Ramiro witnesses the suicide of a beautiful young woman called Angela. She left her backpack with her artwork and an enigmatic recording message. Ramiro tries to contact Angela's family, but when he goes to her house, he sees her coming out the door alive.

Eva and Lola are close friends. While Eva tries to cope with her past creating a fantasy life, Lola does not want to handle with the truth of her real identity. Two friends with different views of the same story.

The story of a bandoneon-loving musician who works as a detective in a hotel and the story of a chemist in love with a widowed woman.

Pancurulo is a lovable and unorthodox high school music teacher who accompanies his students to a camp. Two escapees will arrive at that place looking for a hidden treasure.

After receiving bad news, Natalia, a young novice, returns home, where her sister Ángela asks her to travel with her and her friends to a mysterious place.

Shortly before his final return to Argentina, Juan Domingo Perón records his memories of living in exile.

Franzie is a beautiful lonely woman who hold a secret - she has little time left in her life. Emanuel is a failed writer who just lost his job as an editor for self-help books. Franzie makes an unusual proposal: she will pay Emanuel in exchange for his companionship. Emanuel accepts in order to pay for his pregnant girlfriend. Emanuel mus resist temptation when Franzie reveals her secret.

The host of a folk music radio program risks his life by reporting on clashes between police and guerrillas.

It tells the story of an almost perfect crime that happened in one of the most important circuses in the country, the Tihany Circus. Several are the suspects that will come to light, but only one is responsible for the murder of the important businessman. Only an old commissioner (Tincho Zabala) will be able to discover the real culprit.

Bianca an emotionally unstable office worker is asked by a mysterious client to deliver documents insisting she must deliver them herself in person. On her arrival Bianca is kidnapped. Her captor, leader of a cult, drugs Bianca whilst tormenting her with continuous relentless indoctrination, forcing Bianca her to question the veracity of her memories, even those most life forming, as a victim of child abuse.

An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.