Even de Tissot

Alice, a widowed Frenchwoman, goes on a vacation to Italy. Upon her return, she relates the particulars of her holiday. Within a 24-hour time frame, Alice gets on the wrong boat, winds up in Switzerland where she whiles away the hours at a casino, meets a handsome young German army deserter named Thomas, spends the night with her new acquaintance, pays his sizeable gambling debts, and helps him elude the authorities...

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

"This book is a descent into the soul of a child." On November 26th, 1865, Lewis Carroll's 'Alice's Adventures in Wonderland' was published. In this 1973 broadcast, we discover the genesis of this "masterpiece of the absurd" and delve into the depths of a child's soul, thanks to Jean Gattegno's fascinating analysis. As a bonus, Claude Rich reads us an excerpt from Alice's adventures.

In 1979, aboard the Basile, a Damien II type ship (Joubert design), French sailors and mountaineers sailed in the footsteps of the explorer Ernest Shackleton, considered one of the main figures of the heroic age of exploration in Antarctica, towards South Georgia, where they climbed Mount Paget, which is part of the Allardyce range and peaks at an altitude of 2,935 metres.

For more than twenty-six years, the show has offered reports abroad, surveys of social phenomena and portraits. Because it is sometimes difficult to understand the life of your neighbor or of everyone you meet in the street, Special Envoy will do it for you: listen, question, understand, investigate.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.