The Hundred Books: Alice in Wonderland

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

The behind-the-scenes story of French television… This documentary unveils the lesser-known history of two audiovisual decades that have shaped today's television. To explain from the break up of the French broadcasting service ORTF, in 1974, to the creation of Arte, via the birth of Canal+, the life and death of La Cinq and the privatization of TF1 — the succession of political, economic and cultural decisions that have shaped what is known as the “PAF” (French Audiovisual Landscape).

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

What do you do if you are a reporter with a deadline and you are going blind? This French drama answers that question. Arnold is a crack television reporter assigned to cover an uprising in northern Sri Lanka. Recently he has suffered great headaches and his eyes have been tired. Before leaving he has a doctor check him and is appalled by the diagnosis that he is going blind. If he goes to Sri Lanka, the stress could hasten his loss of sight. If he does not go, he will lose the assignment to a rival reporter. Instead of going, he locks himself in his Paris apartment and creates the documentary from a combination of new and old video footage. He suffers through many emotional outbursts in the process. The highlight of his video is a scene in which he, using complex computer-work, "inserts" himself into Sri-Lankan street situation. Though the documentary is excellent, Arnold is crushed when his editor demands the scene be deleted from the film because it slows the film down.

A 1990 horror anthology series, with host Anthony Perkins presenting and screening tales based on Patricia Highsmith's short stories that display a sinister atmosphere, and delve into the darkest depths of human nature.

André Fragman, nicknamed "Fairbanks" after his childhood idol by his film projectionist father, returns home from military service. He meets and falls in love with Marie, an aspiring actress who is rehearsing for a stage production of 'Alice in Wonderland'. All his attempts to find a job and a way out end up in failure, his friends Étienne and Jean-Pierre are powerless to help him, and the dreamy yet desperate hero loses his mind.

An insurance investigator meets an attractive woman in a hotel on his way to check out the causes of a fire that destroyed a movie set.

Thirty years after the death of Ernesto Che Guevara, Maurice Dugowson went on the tracks of this revolutionary who was to become a true myth for a whole generation. Portrait.

Everything starts when a journalist François decides to investigate the world of working class people. He gets into the lives of Claude, a worker and his wife Lily who has left him.

The César Awards are cinematographic awards created in 1976 and presented annually in Paris to professionals of the 7th art in various categories to recognize the best French productions. They are often cited as the French equivalent of the Oscars in the United States.

Lucie the Quebecker and Nicole the Frenchwoman with the "funny accent" are both twenty-six, single and share their Montreal apartment as they share their joys and sorrows. The first works in radio, the second in an airline company, and both have a married lover who, every Friday evening, rushes off to a home that has been forsaken for a while, saying: "Bye, see you Monday"...