Eduardo Santos Mendes

Sound Letter is an experimental documentary that investigates the sensory identity of the city of São Paulo. Far from following a conventional linear narrative, the film proposes a kind of sonic correspondence in search of the hidden music of the metropolis. Through the perspectives of Arthur Nestrovski and Eduardo Santos Mendes, the work explores the idea that inhabiting the city means superimposing distinct times, where the contemporary noise of traffic and urban chaos coexist with echoes of centuries-old traditions, such as old street vendors' cries. The medium-length film challenges the traditional documentary form by privileging the sound element as the protagonist and openly presenting its own recording apparatus, transforming the journey of a motorcycle courier into a true ballet of forms and sounds that translate the complexity and vibrancy of the São Paulo capital.

Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.

A woman ready to move away from Brazil is kidnapped by her jealous ex-lover.

A poor family, lives in a city near Salvador. The father is cleaner and, mother and daughter help making small services. Until they decide to try the luck in the big city and the father, João, get a job near Pelourinho, next to a dance academy. The daughter, Carla, in contacting music, discovers her true vocation and becomes a very successful dancer. But she does not let himself take away from fame and back to his origins, meets with poor children and teaches them to dance.

It's Friday night. Pedro and Anastácia are at home, like millions of other couples in São Paulo. Locked away in the living room of their apartment, Pedro and Anastácia's relationship finds an opportunity to reveal its degree of wear and tear. História Familiar portrays the banality of everyday life and contemporary emotional malaise.

The documentary’s starting point is the discovery and restoration of a rare and unknown photography reel reproduced from a mutoscope film, made in 1901 in London, about Santos Dumont (1873 – 1932). The work approaches historic and artistic aspects from the beginning of Cinema (pre cinema, variety film) and a cinema that appropriates archive material (found footage, recycled films), through interviews, documents, visual metaphors and the articulation of a poetic essay.

A short film about the meeting of a Trappist monk and a Zen Buddhist master.