Icíar Bollaín

One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...

Rosa is about to turn 45 and realises that she's always lived her life to serve everyone else. So she decides to leave it all behind, take charge of her life and fulfil her dream of starting her own business.

As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

Summer 1936: young unemployed communist David Carr leaves Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the POUM (Partido Obrero de Unificación Marxista). After being wounded, he goes to Barcelona, where he joins another group of fighters.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

Unbenownst to a middle-aged teacher of handicapped children, his long-term suffering girlfriend is pregnant with his child. The film philosophically explores the ideas of free will and destiny as they relate to the characters and their life choices.

Norberto Lopez Amado's They're Watching Us is about a cop who becomes obsessed with a case. Juan (Carmelo Gomez) is ordered to head up an investigation concerning a businessman who has been missing for almost three years. The officer who worled on the case previously now resides in a mental institution and is unable to say anything other than, "They're watching us." A priest (Roberto Alvarez) explains how a series of disappearances in the area have supernatural underpinnings. As Juan is absorbed deeper and deeper into the case, his mother is concerned for him.

Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.

A woman recalls her childhood growing up in the North of Spain, focusing on her relationship with her father.

In the year 2000, Maixabel Lasa’s husband, Juan Maria Jauregi, was killed by ETA. Eleven years later, she receives an incredible request: one of the men who killed Juan wants to meet with her in the Nanclares de la Oca prison in Araba (Spain), where he is serving his sentence after breaking ties with the terrorist group. Despite her reservations and her immense pain, Maixabel Lasa agrees to meet face to face with those who ended the life of the person who had been her companion since she was 16 years old. ‘Everyone deserves a second chance’, she said, when asked why she was willing to confront the man who killed her husband.

In the year 2000, Nevenka Fernández, 24 years old, Councilor for Finance in the Ponferrada City Council, suffered relentless persecution, both sentimental and professional, by the mayor, a man accustomed to doing his will politically and personally. She never decides to report, although she knows that she will have to pay a very high price: her environment does not support her, the society of Ponferrada turns its back on her and the media subjects her to a public trial. A story inspired by real events that turns its protagonist into a pioneer by taking an influential and popular politician to court for sexual and workplace harassment for the first time.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

A romantic thriller about a construction worker in hiding for killing his foreman who hides in the mansion where his girlfriend works as a maid.

Nina is a 20 years old girl from Valladolid who lives with her divorced father, an autoritarian and conservative man. Trini is of the same age and has lost her mother. For both Valladolid and their families have nothing to offer and therefore they go on a risky voyage to the Costa del Sol at the south of Spain.

The two million Spanish women who are victims of domestic violence and the death each week of a woman at the hands of her partner is not fiction but pure reality.

Andres de Granada, a forty-benefit trade more clear, believed that the first months of 1993 are the best time to do business. It also has the help of his nephew Fulgencio, who has arrived in Madrid with the idea of ​​learning the trade.

Private detectives Inés, Eva, and Carmen often invade others' privacy but are clueless about confronting their own secrets. While on the job, these three surveillance specialists will have to cross the thin line dividing public and private matters, bringing their own issues to light in order to solve more than just their professional cases.

Kathmandu, Nepal, early 1990s. Laia, a young teacher from Catalonia, Spain, works at a local school in the slums of the city where poverty reigns. Her personal path, besieged by a harsh sum of indescribable social conditions, will be a struggle against a nefarious educational system, but a journey of self-discovery as well.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.