Carola Regnier

Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.

Zigeuner is on the hunt for the woman of his dreams, a woman who should also play the main role in the film. Meanwhile, ruthless producer Oskar Reiter wants to buy the film rights at all costs - and he is struggling for the love of the beautiful Valerie.

The young Friedrich Schiller begins his life as a poet with a dramatic escape. After the sensational success of his first drama "The Robbers", he deserts from the Duke's army. At the Mannheim Court and National Theatre, he initially receives a friendly reception, but his new play "Fiesko" is not well received by the artistic director Dalberg. In the successful actor and author August Wilhelm Iffland, Schiller finds a strong competitor for the position of in-house playwright and vies with him for the love of the same woman. The young poet's situation becomes increasingly precarious; he has no money, suffers from hunger and falls seriously ill. Nevertheless, he works feverishly for recognition and success with no regard for his own health.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

A naive girl's love for Switzerland is put to the test in this satiric comedy. Irina is a woman from Russia who all her life has always been fascinated by Switzerland and longs to live there some day, though her notion of Swiss life has more to do with Heidi and old movies set in the Alps than reality.

An experimental German film

Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining tenants try to gain pleasure and power from progressive abandonment in order to tear down their own conventionalities.

A group of men, addicted to pornography, have a chance to live out their fantasies but find that the reality is far different from what they expect.

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.

Otto and Leo are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida, a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she's pregnant with Otto's child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida's presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko.

A group of strangers explore their fantasies over a period of five days.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

A lonely German clerk captures two American flyers and keeps them as prisoners in his basement long after WWII has ended.

The 13 days from April 20th to May 2nd, 1945, are unique in the history of Germany: They are the final act in the history of the Third Reich, which was supposed to last for a thousand years and succumbed after twelve in an orgy of violence and fire. In the catacombs of his bunker under the Reich Chancellery in the capital city of Berlin, which Adolf Hitler wanted to make the centre of the world, the dictator operates with ghost divisions during the final days of the war. Only in the final moment, he takes his own life. Meanwhile, On the streets, in the ruins, and the basements of the destroyed city, the final battle wages on: Adolescents are sacrificed without purpose, women get raped, loyal party comrades commit suicide in the thousands, Jews who were in hiding for years hope for the liberation.

After the essay "On Marionette theatre" by Heinrich von Kleist. The film focuses on Kleist himself, torn apart, searching for knowledge, for identity, trapped in his loneliness and self-absorption, jumping over walls, making grimaces, cruelty, suffering.

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with another – or is the camera position that of voyeur or protagonist? The only way to figure it out is to spend some time with her! – S.D.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

After a night of partying, Paul finds the body of his girlfriend in their shared apartment. Even his best friend Max believes he killed her in a drunken stupor. Nevertheless, he takes action to make the corpus delicti disappear - with a bone saw and a grain mill. But uninvited guests keep turning up, be it a neighbor, janitor, mother or colleague.

Sylvia Rosch is a woman with dangerous obsessions. Camouflaged by perfectly rehearsed masquerades, she wages a merciless campaign of revenge. Anyone who gets too close will succumb to an insidious murder. The marriage swindler's preferred victims are men worth millions. Barbara Lahn and Til Wegner from the BKA are facing a huge challenge. They are supposed to collect evidence against the angel of death.

Marie is an adolescent woman who lives in Prussia in 1813 with her mother, a countess. They live in a palace watching the path of history from a far point of view.

A portrait of a relationship between a physically disabled man and an able-bodied woman.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Ein Fall für zwei is a German television series, which premiered on September 11, 1981 on ZDF. The series, located in Frankfurt am Main, features two main characters who solve crimes: a defense attorney and a private investigator. Josef Matula, a former German police officer, has gone into private business. His method of investigation is very effective and direct, and he sometimes even resorts to dirty tricks. Claus Theo Gärtner has portrayed the role since the start of the series.

Die Kommissarin is a German police TV series which aired on Das Erste. Its 66 episodes ran from 1994 till 2006. The series, which takes place in Frankfurt am Main, Germany, is notable as being the first, and as yet one of the few commercially successful, German detective series to have a female lead character. The main character is Inspector Lea Sommer, played by Hannelore Elsner. Sommer is divorced with custody of her teenage son, Daniel. She is looking forward to a new relationship with her new boyfriend, Jonathan. Although Lea and Jonathan telephone each other frequently, he has never actually been seen or heard on screen. Sommer was originally paired with Nick Siegel, but in a 1996 episode, Siegel was shot to death by an escaping criminal. His last words were "Lea, ich fühle mich so kalt". Sommer's current partner officer is Jan Orlop. Die Kommissarin airs on the German Language channel German Kino Plus in the United States. In Finland it airs on YLE TV2 under the title Etsivä Lea Sommer.

Murder, Venice, relationships...it's a delicious concoction in the hands of crime novelist Donna Leon. Venice provides the backdrop for the lush film versions of the bestselling novels, which features the indelible Commissario Guido Brunetti, canal boat rides instead of car chases, fine cuisine and crime investigations in one of Europe’s most beautiful locations.

Die Kinder is a six-part 1990 BBC Two political thriller written by Paula Milne and starring Miranda Richardson, with Frederic Forrest, Hans Kremer and Derek Fowlds in supporting roles. Sidonie Reiger sets out to rescue her kidnapped children. Enlisting the aid of private investigator Lomax, they find themselves caught between her husband's past as a a member of the Red Liberation Front, and the secret services of several countries.