Sarat Pujari

Dashyu Ratnakar who kills the travelers for wealth for support and maintenance of his family. When suggested by Narad Muni to esquire his family members i.e. his father, mother, wife and children if they would receive some portions of his vice which he had done for their maintenance, Ratnakar is astonished by their replies. They all replied that it is his (Ratnakar's) duty to maintain his family. They are not responsible for the method by which Ratnakar earned money. At that reply Ratnakar was deeply shocked, promised to shun all his means of vices and achieved sage-hood through deep penance. He later transformed into Maharshi Valmiki who wrote the great epic Ramayana.

Based on “Shahar Theke Doore”, a Bengali story by Sailajananda Mukherjee

When Bhagwan Shri Jagannath and his brother, Bhagwan Shri Balabhadra, refuse to partake offerings from a lower-caste woman, Shriya. Devi Maa Lakshmi is offended and puts a curse on both of them. The duo, hungry and homeless, go from village to village, house to house in search of food. What they don't realize is that Devi Maa, in collusion with Vayu Dev, Agni Dev, and Pawan Dev is determined to teach both of them a lesson they will never forget.

Kedar Babu is a freedom fighter since the days of Mahatma Gandhi's call for a Civil Disobedience Movement. Kedar Babu lost his wife at an early stage of his marriage. Since then, he has brought up his only son Sangram with all paternal affection. In town, Sangram stays in the house of a landlord, Bahadur Suryakant Singh, where there is a gradual moral decline. This puts him in a state of dilemma and delusion. In the last encounter with his father. Sangram experiences a new perception of life, illuminated with anxiety.

Nandika is childless after 8 years of marriage to Sunanda and she persuades him to remarry. Sunanda and second wife Lalita move to the city and Nandika finds she is pregnant and follows them.

Kalyani (Roy), an intrepid journalist, investigates the rape and murder of a tribal woman by a politician in rural Orissa. Later, she also investigates the criminal activities of a moneylender, becoming increasingly involved in the lives of the tribal people, adopting the child of the dead tribal woman. However, her editor either suppresses or publishes distorted versions of her stories. This is intercut with the journalist’s own troubled married life.