Jean-Guillaume Sonnier

With everything they've got, a couple throws themselves into a sailing race lasting several days and nights on a large lake.

Two young brothers move into a new house with their parents. Very quickly, the younger one notices that something is not right in this seemingly ordinary daily life.

Faced with the death of her sister, a young woman must honour the pact they made.

What remains of a mother after years of domestic violence? What remains of her body, her dignity and her strength? Surely words, memory and a few dance steps that can still be passed down.

A metaphor with mechanical overtones, an unbroken chain of three situations, divergent and yet connected by a single element: pulsating, living steel. A family car with a mom and her kid, a furious truck, flying cars. An endless lullaby of engines.

In a Swiss mountain village, hikers head out, a fountain splashes reassuringly and a churchwarden prepares a mass. Debut director Valentina Shasivari evokes the calm of this serene landscape with tightly framed shots in contrast-rich black-and-white.

At dawn, a cannon shot shatters the plain. Horses gallop across the beaten earth. Eva, 21 years old, wants to join the hunters of the Imperial Guard, a Napoleonic regiment of historical re-enactment reserved for men. In her quest for romanticism, she hides her identity so that she can set foot in the stirrup, braving a 200-year-old ban. In this world of gunpowder and smoke, Eva discovers herself as she has always dreamed: a handsome soldier at the side of a beautiful princess.

Rose, a young filmmaker looking for work, embarks on a retraining course to become a farmer. An initiatory tale that questions our relationship with the land, with art, and with the role of the filmmaker as an observer of our world.