Navnita Sen

Jugni (Firefly) is the beat of the soul, the free-flying spirit. Jugni is Vibhavari (Vibs). Vibs is a music director, working on her first big break in the Hindi film industry. When work and home affairs, with her live-in boyfriend Sid hit a high tide, Vibs hits the road with a glint of hope; to find music. The journey takes her to a village in Punjab in the search of a Bibi Saroop, whose voice holds the promise that Vibs is searching for. But as the twist of fate would have it, Mastana, Bibi's son and a proficient singer himself, is the voice and man who winds his way into Vibs' heart. From here on, Jugni is about striking balances, making tough decisions while trying to soften the blows and dealing with the studied dramatic turns and unpredictabilities of life and finding the place which one can call home; home of the heart, where the firefly is at her brightest.

Fourteen-year-old Naima longs to earn money for her poor Bangladeshi family, but her unrivaled artistic talent is of little use. When her ailing father is at risk of losing his prized bicycle rickshaw to loan sharks, she disguises herself as a boy and attempts to drive the rickshaw herself. Naima crashes the rickshaw, threatening the family's sole livelihood.

The film covers the assassination of Hasina's father Sheikh Mujibur Rahman along with most of her family member in 1975.

An encounter with ones own past, as the mainstream engulfs all sub cultures and ethos and tries to create one world order.

A story about two women - Jaya and Sharmin - and their relationship and its progression over the course of time against the backdrop of Covid-19.

THE ISLE- musical work--cinemascope-persian-a collage of images which leads into that long forgotten tunnel called childhood. The French composer “Erik Satie’s” simple and evocative musical arrangement “Gnossienne No.1” reinforces the image

This feature length documentary sheds a light on British presence in India from 1609 till 1947. The documentary aims to focus on the factors behind India getting Independence apart from the Freedom Movement by the National leaders.

Women of rural Punjab have long forgotten to sing the songs of harvest in the midst of escalating farm suicides. The Film witnesses the march of widows of the 'Green Revolution' in Punjab as they re-negotiate the rules of engagement and the politics of domination, in their bid to survive. For the first time, Candles in the Wind tells the story from inside this area, known as the green reserve of India, a place which is relentlessly transforming itself into a social desert, where women are obliged to take over dramatic situations without any form of protection or assistance. Their struggle gives us a window into the social-economic flux in rural India - a nuanced understanding of the silent under-currents of a gender-specific struggle in the larger narrative of surviving as a farmer in these times.