Jaya Aar Sharmin

Every now and then, occurrences take place on the streets, alleys and highways of this city like the accumulation of moss on a concrete wall. Though majority of these fresh deposits appear true to us, they could really be otherwise. Nonetheless, wrapped under the folds of these truth and lies, three tales are carved to be called “Ei Muhurte”.

Moju, an elderly man from a fishing village challenges the boli champion Dopor to combat. Boli is a traditional Bangladeshi sport. It is a form of wrestling.

The film covers the assassination of Hasina's father Sheikh Mujibur Rahman along with most of her family member in 1975.

A short film that uncovers the hidden truths of the Hijra community, struggling to navigate through a society that has all but rejected them. We follow the intrinsic lives of three trans women who forge different relationships within society.

Tabassum’s Khudi Bari (Bengali for “tiny house”) is an example of a modular mobile home that, in Bangladesh, is inexpensive, durable, and relatively quick and easy to assembled and disassembled with minimum labor, taking advantage of a rigid space-frame structure to save goods and lives in the wake of flash floods on tiny “desert islands” of sand known as “chars” that precariously dot across the Bengal delta. Land is fluid on the floodplains of Bangladesh, and these islands often break off and erode into the water, forcing people to physically move their home. Khudi Bari reminds us to look to locally rooted knowledge to innovate solutions for uncertain futures. Desert X has commissioned a film about the project in which Tabassum addresses dry and wet cultures and the role of design in enabling life in some of the world’s most extreme climate conditions.