Jean-Daniel Lafond

In 2005, Michaëlle Jean became the Governor General of Canada. A social activist, global citizen, and black woman, she would redefine the possibilities of that office. While her national priorities were at-risk youth, women, and Indigenous peoples, her international success came from her cultural diplomacy. 2010: the earthquake in Haiti tragically brings her back to her homeland. Michaëlle Jean: A Woman of Purpose is an intimate and sensitive portrait of the stateswoman she came to be.

Documentary produced by the National Film Board of Canada centered on a friendly countryside gathering of four former prominent members of Front de Libération du Québec (FLQ), namely Francis Simard, Pierre Vallières, Charles Gagnon and Robert Comeau.

From the gardens of Versailles to the Île-aux-Coudres, this documentary feature tells the story of Pierre Perrault's exceptional cinematic adventure. While simultaneously painting a portrait of the poet-filmmaker, the film contains a critical analysis of his work. To allow us to reflect on cinema and on man even further, an image hunter is himself hunted down to reveal his certainties and questions.

Documentary exploring the thought and work of Aimé Césaire.

French-Canadian filmmaker Jean-Daniel Lafond goes into the life of wanted terrorist David Belfield, an African American convert to Islam who was born in the United States and allegedly murdered Ali Akbar Tabatabai, a former Iranian ambassador loyal to the deposed Shah of Iran and an outspoken critic of Ayatollah Khomeini in 1980. Belfield, now known as Hassan Abdulrahman, fled to Iran following the murder and has remained there ever since. In this film, Belfield tries to explain and justify his terrorist activity. Lafond also puts forward several conspiracy theories as to who ordered Belfield to kill the former diplomat.

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.