Francisco Pedemonte

In Buenos Aires, 17-year-old Bennie seeks out his estranged brother Tetro, a once-promising writer haunted by their family’s past. As Bennie uncovers Tetro’s hidden manuscript, old secrets and rivalries resurface, forcing both men to confront the truth about their father and the tangled legacy that tore their family apart.

Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.

Kaí is a mysterious shaman who emerges from the Rio Paraná to help a poor farmer and his daughter, who are threatened by a band of cold-blooded mercenaries hired to force them to sell their land.

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

"CICLOS follows Ignacio Semeñuk, a 15 year old cyclist, as he faces the severeness of his training, his path to adulthood and his love life."

Julia and Diego spend a weekend taking care of Diego’s nephew, in a house far from the city. Everything goes on normally until Julia’s visit to the hospital changes completely their relation.

A bigamist with one family in Buenos Aires and the other in Mar del Plata sees his life turned upside down when his wives discover what he has hidden from them for so many years and unite to take revenge.

Rocío can’t handle the idea of separating from her best friend, who’s about to move and change schools. Her pain and frustration translate into spite until the increasing tension between them becomes irreversible when they clash in a duel at the arcade where they meet every afternoon.

Magallanes sees his humdrum life turn upside down the day Celina, a women he met in the violent years when he was a soldier with the Peruvian Army, jumps into his taxi in a Lima street. This unexpected re-encounter after 25 years with the dark past that unites them prompts Magallanes to embark on a daring plan to help Celina get money and find his own redemption.

During a very dry summer in an isolated community far from the city. Sofia, Clara and Lucas face their first loves and fears, while preparing the New Year's party, without knowing that nature threatens them.

The path of a man to restart his life after a personal tragedy that leads him to leave the city and move to an inhospitable place that allows him to be reborn.

Eight years after having been raped at a beach near Santiago, a young filmmaker tells the story of the assault, the revictimizing judicial processes, and the friendship that helps her heal, in dozens of video-diary entries that comprise an artfully crafted, intimate documentary. A question remains: What is a rape, really, and when does it end?

The childhood memories of writer Martín Kohan are intertwined with the unreleased archive from the Channel 9 newscast between 1973 and 1980. Through this, a key period of Argentine history is reconstructed, exploring the relationship between personal memory and the public discourse of the time

A portrait of Javier Urondo and his discomforting, sharp and provocative take on the act of serving food. Paco Urondo, his father, was a distinguished poet and political activist, murdered by the military dictatorship in 1976. This is the story of Javier, of how he maintains the Urondo Bar, a restaurant in a Buenos Aires suburb, from where he lends new meaning to a legacy and a belonging and turns them into an act of resistance. A film about food as a source of culture and family.

For Ababacar and Mbaye - two Senegalese immigrants who met and established a great friendship in Buenos Aires - the challenge goes beyond adapting to the customs and living conditions in Argentina, or dealing with the indifference and racism they suffer on a daily basis: both came to an instance of their lives in which they must define a course, and in turn accept that their identities and needs have become more complex. The decision to leave their country was driven by the urgent objective of financially supporting their families, but the stay in Buenos Aires crossed them with new people, new ways of seeing things, and even an economic situation different from that which they found at home. Their different ways of seeing things allow them to see in each other a different version of themselves.

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.

Cynthia takes us through the rooms of her ex-boyfriend's house, while she carries out her plan.

In this poignant period drama set in 1960s Argentina, a young woman, struggling to raise her twin daughters alone after the tragic death of her husband, accepts the courtship of a charming but mysterious older suitor.

After years of delay, a long-planned journey finally begins. The filmmaker imposes a quiet rule: only one shot per day. This self-imposed rhythm becomes a daily ritual of observation, recording, and reflection. What emerges is a filmed diary—a chronicle of wonder that maps both external landscapes and internal states. Each image carries a lingering question: what does it mean to continue making films? Through unfamiliar territories, filmmaking transcends documentation to become an act of presence and an attempt to rediscover meaning. The result is a meditation on cinema itself—its persistence, solitude, and transformative power over the everyday.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

One Sunday in 1991, Félix and his sister Gemma, at the request of their mother, cycle through the streets of Santos Lugares, in search of their father. Félix believes that his dad got a job on the planet Mars.

Archival footage of Argentinian skiers is transposed into prompts for language exercises.

Gaspar is forced to leave the band he created when Ludovico, Coco, Juani, and Ulises accuse him of stealing money from their shows. The accusation goes viral and leads to a social media outcry as FreeKs grows more successful without him. Gaspar tries to find the person who framed him and watches his former bandmates being manipulated by the music industry. He will have to prove his innocence in order to reclaim his place in the band.