Vytautas Katkus

End of summer. Danielius (in mid 30s) makes a return to his hometown to sell his parents' flat. Having nowhere to rush, he reconnects with people and the town that's no longer his. He is confronted with a quiet sense of loneliness.

Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.

Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy.

Dreaming of an escape from the bleakness of their hometown, two teens form a unique bond at a local modeling school, where the promise of a better life pushes girls to violate their bodies in increasingly extreme ways.

A woman returns to old Vilnius in search of her grandmother’s house, only to find a city rapidly erasing the past in favor of the future. She wanders the changing streets and encounters colorful local characters – but as night falls, reaching her goal becomes increasingly difficult. The film is a poetic meditation on constant movement and a longing to belong.

Ship is an overnight cruise on the occasion of a birthday celebration of Algirdas Stravinskas, the star of Lithuanian choreography in the former Soviet Union, culminating in a dance performance by a young contemporary dance troupe. On the cruise, the universal urge for beauty and creativity unites those who have already become history and those who are yet to make it.

On New Year’s morning, Sharunas wakes up next to the charming guy Martin, while his girlfriend Iveta is in the shower. Sharunas can’t help but wonder if things will ever be the same again. Meantime, Martin wishes him a Happy Next Year.

A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.

29-year-old Ilona and her boyfriend have just moved into a new apartment in a block of flats. When the building’s renovation begins soon afterwards and she befriends Oleg, one of the Ukrainian construction workers, her idyllic notions of a fulfilling life as she approaches thirty start to crumble, like the old plaster on the walls.

Film is based on the novel „History From The Cloud” by Marius Ivaškevičius. It is a story about a man called Marius and his meetings with various different people. The goal is to make a bargain: people can buy a character in Marius’s novel. However, all these bargains are the cover of his secret.

Eleonore and Jonas, an elderly couple, invite a real estate agent round to sell their flat. While Eleonore barely speaks, Jonas reminisces about their first encounter, which happened 60 years ago in this very flat.

The Vilnius Palace of Marriage, opened in 1974, is highly reminiscent of Soviet-era modernist architecture in Ukraine. Mariia’s dance represents her emerging womanhood in a space traditionally meant for the initiation ritual of two people. An episode of the anthology project “Dance + City”, which bridges contemporary dance and architecture across Lithuania, Latvia, Estonia, France, and Ukraine. The film was screened both as an episode within the anthology and through independent festival and award distribution.

Seventeen-year-old Yasha is rebelling against authority. But in the USSR of 1990, some opposing forces are more dangerous than others. Determined not to give in, Yasha’s need for self-expression will propel him to the precipice of irreparable harm.

Hoda, an Iranian refugee living in Berlin, is pregnant and in love with Boris, a queer gay man from Serbia. Together, they decide to marry and raise the child, imagining a future built on their own terms. As they prepare for the wedding and enter more deeply into each other’s worlds, their relationship is seriously tested by all the red tape and their families’ expectations and histories that neither of them can leave behind. Surrounded by relatives, memories and inherited ideas of love and parenthood, Hoda and Boris begin to question the roles they are about to take on. What starts as a plan to become a family gradually turns into a more intimate and uncertain question: can they reinvent what it means to be a couple without losing what brought them together?

A hot summer day. The cherry-tree branches are full of ripe berries, swaying from the wind and weight. A recently retired father invites his son to help him with the cherry picking in the garden. The father is not in a rush, as he now wants to spend more time with his son, leaving the cherries in the background. Working together and staying silent, they both realize how much time they’ve lost during those 30 years. The cherries bring the two men back to their first memories and let them experience them longer, as if to start all over again.

Aldona is the single mother of a daughter, Miglė, who is soon to become a mother herself. ​When Miglė comes to visit for the weekend during the last days of her pregnancy, Aldona tries to show how much she cares, but instead starts to control her daughter. Step by step, Aldona pushes the boundaries between the two, until she crosses the line.

Two young people, old friends Olivija and Matas, go on a kayak trip in late autumn. Neither is aware of each other's plans and everything works out just fine until one of them says I Love You. As the kayak seems to be as fragile as their friendship they now have to face wild nature and their choices.

This documentary tells the story of Rapolas - an athlete who lost part of his leg following an unexpected injury, but refused to give up; he embarked on a career as a professional athlete, pursued his dreams, and is now reaching the pinnacle of his success.

It is a gentle sense story about floor scraping and friends that just have moved in together.

A camel dies in the local zoo. Paulius and Indre – two caretakers discover it and try to dispose of the dead animal. But it turns out to be a much harder task than they imagined.

A psychology postgraduate student escorts two patients and their nurse to a seaside psychiatric clinic. Along their journey, they break through each other's barriers, delve into the sources of their various traumas, and discover the lasting imprints left on their fragile souls.

It observes an astonishing cosmos of blooming microorganisms, such as fungi and mould, which have been documented with patience and precision. These images are connected to museum paintings depicting historical and modern Easter processions, while the restoration of frescoes and priests' relics raises questions about decay, fragility, and gratitude.

Human beings are the kings of all animals, at least if you ask us humans. Our vanity is given something to mirror itself in, but does not escape without a scratch or two in this documentary, which observes a taxidermist, a deer farmer and a museum curator at work. Three jobs that have one thing in common: turning animals into aesthetic objects, alive as well as dead. When the work is done properly, it is impossible to tell the difference. Dead pets are mummified. At the zoological museum, the animals' glassy eyes stare back at us from the showcases. Even a plastic alligator has its natural place in the human master plan.

Lina, a Vilnius morgue medic who becomes fascinated by the mysterious disappearance of a sailor named Vilkas. Her obsession leads her to eerie places and disturbing encounters. The clock is ticking as Lina searches for the missing man.