Aleksandra Zamojska

L'Opéra National de Paris' production of L'Amour des trois oranges must certainly be one of the most elaborate operatic presentations. It has a cast of gazillions, characters who fly, jugglers, fire-eaters, remarkably elaborate costumes, amazingly realistic props (those five-foot oranges are convincingly juicy and edible looking), a huge set, fireworks, and so on. In fact, at times, it looks more like a Cirque de Soleil show than something you'd see in an opera house. Director Gilbert Deflo's conception and William Orlandi's costumes and sets are rooted in commedia dell'arte, but the production is thoroughly eclectic, with allusions to a wonderfully weird assortment of styles and periods.

In 1976, Jack Unterweger was convicted for the murder of Margaret Schaefer and sentenced to life in prison. While imprisoned, he committed himself to reading and writing, eventually earning literary respect both inside and outside the penitentiary. In 1984, his autobiography "Fegefeuer" (Purgatory) became a bestseller.

As a child, Christoph Eschenbach was forced to flee Wrocław in 1945. On 25 April 2025, he returns to his home town to commemorate the end of the Second World War. For this solemn concert, the conductor has chosen to combine Arnold Schönberg's post-war work A Survivor from Warsaw with Johannes Brahms's German Requiem.