Pier Francesco Aiello

Chronicle of the dark maneuvers put into practice by a politician to seize an opposition newspaper. A Lebanese terrorist receives the order to kill a stockbroker, which triggers a series of blackmail and deception. A deputy commissioner and a journalist intend to shed light on all these murky matters, but the politician has no scruples and also knows how to move with extraordinary skill.

The investigations of a private eye shake up the almost broken marriage of a middle aged couple.

Toni is a mob movie combined with an urban love story and reflections about one's roots. The protagonist, Toni, is a young man from a small village in the south of Italy who arrives at the station Gare de Lyon in Paris. He never questions the education he receives from his mob family or the rules to which he is always chained. He contacts a man called "The Old Man," a strange character discarded by the family who is of help from time to time. This man is supposed to communicate to Toni all necessary information for him to accomplish his mission. Toni plans to execute it in perfect calm. But things do not go according to plan. He meets Marie, a vulnerable journalist whose best friend has just committed suicide. Two doomed characters enter a mysterious relationship.

Third and final version of the La Cage aux Folles series has Renato's drag queen lover Albin learning that he can inherit a vast fortune from a distant relative. But the catch is that Albin must marry (a woman) and produce a heir within a year or the whole inheritance will be forfeited.

This film sheds light on the role of the Catholic Church and the people of Assisi in rescuing Italian Jews from the Nazis in 1943.

Alex, a sound engineer, accidentally records mysterious voices: disturbing messages from the afterlife who warn him against an imminent and terrifying danger. Amanda, with whom he shares a terrible secret, re-emerges from his past. The appearance of the young woman triggers chilling paranormal phenomena that leave behind a trail of corpses. Is she the danger the voices of the dead speak about?

Carmela is thirty, beautiful and as untamed as an horsewoman. She is jobless and struggles to get by on her own, doing small day-to-day tasks. She makes ends meet by making use of the immigrants who populate the maze of alleyways of Naples' old historic centre. A circle of hell where, even to get a residence permit, you have to pay to work