Boris Yermolayev

Lithuanian schoolchildren were driving home, returning from an excursion. Not far from Minsk, the bus came under bombing. The war caught the boys far from home, by surprise. A turn in their destinies, knowledge of the harshest sides of existence... And the heroes are only thirteen years old.

A.N. Ostrovsky recalls the first period of his creative work (1849–1859), when he began collaborating with the Maly Theatre and with masters of the Russian stage such as L.P. Kositskaya, M.S. Shchepkin, and P.M. Sadovsky. Almost every character in this film is a real historical figure.

A story about a boy walking across the town following sun.

Soldiers of the Russian-Mongolian Joint Special Detachment, who are carrying out a special mission, went to the front line of the war and assumed the responsibility of conducting a sharp emotional and ideological battle with words and sounds. Therefore, the contribution of these people in the battle of Khalkh River was huge. This film shows the Khalkh River War and its scope through the actions of the "Little Squad" and the thoughts of its heroes.

A young Jewish woman, having received an order from the occupation authorities to report to the assembly point, goes into town with her son. They approach the ghetto, but realizing what awaits them, they leave. They wander around the city, not daring to visit their friends. Night falls. Huddled together, mother and son fall asleep on a bench. And in the morning, soldiers indifferently throw their frozen bodies into the back of a truck.

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.

Prima-ballerina Elena Knyazeva prepares for her performance on the anniversary jubilee for the theater Swan Lake on the eve of her fiftieth birthday and simultaneously participates in the production of the innovative ballet Master and Margarita. Suddenly, the choreographer gives the role of a young ballerina, with whom he begins an affair. Overcoming jealousy and desperation, Knyazeva begins to work with the student over the image of Margarita