Roque Araújo

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

On the rise, singer Agnaldo Reis finds himself forced to escape the pursuit of Baby's gang, who demand a monthly bribe from the artist in exchange for protection. The young man devises an ingenious escape plan.

Expedito, after being abandoned by his parents, became Zefa's adopted son until he became a man and started earning his living as an independent fisherman. As soon as he finds out that Zefa is very ill, Expedito runs back home and finds his adoptive mother in agony. At the edge of the bed, a mysterious woman, who claims to be Death, sits.

A family of Brazilian farmers is desperately looking for work and moves from city to city.