Gregor Zorc

A video based on the dance performance HI-RES by Maja Delak and Male Kline. The video poses questions and give some unexpected answers to what is to be done in contemporary art/dance today, what are the limits of representation, etc.

A man wanders through his life. Everything seems the same, but signs of life appear in the most unexpected places.

Bread and Circuses is a comedy with a sent of nostalgia about socialistic Yugoslavia's last breaths looking forward into brighter future days than they appear to be at the moment. Family Novak from a small town Velenje is drawn by lot to participate in a TV family quiz. The mother and the daughter are thrilled about appearing on TV, whereas the father and the son do not like the idea that much, especially because the show will take place during the carnival. On their way to the TV show the family gets into a misunderstanding with the police, at the TV station they get confused by a group of dressed up cocks, and things get truly interesting when the family gets to know the quiz moderator Jos Bauer better. Everything about the TV station seems quite different from up close and the family members' values are turned upside down.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

A badger is lying motionless on a local road. A police patrol approaches the body in the dark. They soon realise that the animal is not dead; the badger is dead drunk! When the police attempt to drag the creature off the road, he wakes up and things take a strange turn.

Luka leaves for the countryside unhappy with the way his girlfriend Katarina has treated him. She follows him hoping that they could sort out their relationship. Despite the beauty and tranquillity of their surroundings they go through twists and turns that only intensify their crisis. When Katarina befriends the happy-go-lucky soldier Primoz, new dimensions and choices open up for her. Ultimately all three must decide where their own life will take them.

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

In the absence of his mother, the seven-year-old Maks decides to find company at the basketball court. The lack of warmth and attention forces him to take matters into his own hands.