Ivan Đorđević

In a distant future following a nuclear catastrophe, the West Balkans have become a lawless wasteland where the most valuable currency is the bullet. A mysterious blind fiddler wanders the ruins, singing the legend of the "Grain People"—a peaceful community of wheat-growers who refuse to submit to a distant city's tyranny. When a young warrior’s family is slaughtered by a deranged warlord, he embarks on a bloody quest for vengeance. Armed only with a blade and a motorcycle, he must navigate radioactive cults and hallucinations to protect the last remnants of civilization.

Mundir is a loan shark in a small Serbian town, a former boxer with diabetes. He is old school, he realizes the times have changed, and that money lending business is not what it used to be.

Marko, an aspiring filmmaker, is unable to pursue a career in horror films. He ventures into the porn industry, but his unorthodox style fails to impress producers. Frustrated, he assembles a crew of junkies, homosexuals and transvestites and starts a traveling live porn show. Soon a shady producer appears, he will pay them real money if they are willing to start making snuff films for him.

A grenade fired from a nearby hill kills the parents of a ten year old boy during the siege of Sarajevo in 1992. The Boy looses his ability to speak. A lady neighbor adopts and takes care of him. The Boy is thrown out from his destroyed apartment and begins to prowl around the city with a schoolmate. Too early and too soon, he goes through the process of growing up. He learns the meanings of such words as force, death, sex. He learns how to achieve. He learns about the values. He learns what matters the most. The Lady neighbor that takes care of him tries to shelter him and protect him. Unsuccessfully. The Boy rides to fall. Death and suffering become more frequent, and more severe. When the Lady neighbor's teenage son is killed by a sniper as a collateral damage, she then rejects the Boy. The Boy escapes the siege, and shoots from a cannon at the city.Fifteen years later, the Boy - now twenty five - and the Lady neighbor meet again. They are united in pain and suffering.

A group of relatively young (30-35 years), college-educated, smart, urban people, whose youth was destroyed in the events during the breakup of Yugoslavia, in a late search for their identity.

An orphan finds a family, old couple that has no children, day before Christmas. The twists and turns of this melodramatic comedy is inspired by timeless words of Branislav Nušić.

The factory that once employed the entire town and surrounding villages has been closed down due to a questionable privatization process, coinciding with a tragic incident where a group of its workers perished in a deliberately set fire. The remaining workers, devastated by the loss of their loved ones and the subsequent corrupt sale of the factory, initiate protests, but their efforts seem futile, yielding no concrete results. Feeling abandoned not only by the authorities but also by their cherished church, they find themselves seeking solace and answers in the supernatural.

The film narrates a tormented love story between one of the most famous poets of Serbian literature, Laza Kostic, renowned for his sublime poetic puns and word coining and an enchanting young girl by the name of Lenka Dundjerski, an educated and refined daughter of a landowner Lazar Dundjerski. Standing in the way of their love is the insurmountable age gap between the two, as Kostic is 29 years older than his beloved one. The affair inspired one of the most sophisticated and tender love poems of the time, an utmost expression of yearning, in which the poet's unflinching devotion is linked to his admiration for a Venice basilisk by the name of Santa Maria della Salute.