Min Byung-hun

Catholic seminary student Soo-hyeon is having a hard time deciding whether to stay on the road to priesthood or give in to his earthly love for a girl named Sue, whom he has just abandoned even though he still loves her. He takes advantage of a visit to his sick mother to look for Sue, but she refuses him. The persuasive rector reverses Soo-hyeon’s decision to leave the seminary with a proposal that he undergo a catharsis in the monastery. The doubting youngster’s new-found peace is lost however when he sees novice Helena, whose similarity to Sue awakens his defused emotions. The cool tonality of the shots of the Korean countryside and the monastery interiors harmonises perfectly with the aesthetically austere, nonetheless suggestive direction, which mediates the young man’s internal conflict and his fear of making the most important decision of his life. The lead role is played by rising star of Korean film Seo Jang-won, whose acting debut in the film The Unforgiven was shown at last

Si-woo is a nine years old boy living with his dad after losing his mom. Whenever Si-woo and his dad miss her, they pray, talk it out, or write poems. They stay there for each other in the arms of beautiful nature. Si-woo always remembers what his mom promised him before passing. Step by step, they move forward, trying to keep the promise.

Early one morning in Gangnam, three grim-faced individuals get into a black van. They will face their final moments in life in a secluded countryside motel. In the hushed silence of the motel room, the three are set to spend their farewell night, telling his or her life story to the others.

A simple fable about a teacher's quest for justice. The teacher's neighbor not only ogles his wife, but builds an outdoor toilet right beside the teacher's house. When he is refused any legal recourse, the teacher decides to get revenge by building a latrine for the entire village outside his neighbor's house.

No pain, no gain. This is the motto of the Yoo family: the father is a successful doctor, the mother supervises their daughter's scholastic performance from the vantage point of their beautiful home. Then cracks appear in the facade which soon deepen and spread. In particular, the father seems to be losing control - he is suddenly faced with a sexual harassment lawsuit and an absurd running battle with a taxi driver.

Feng Zhengjie is suffering from a lack of inspiration that keeps him from both painting and falling asleep at night. One night, wide awake as always, he sees a woman slide by in front of him. She is faint, indistinct, and both nearby and unreachable all at once. She hovers around him, and appears wherever he goes; the bar, on the street, a coffee shop. He is no longer certain whether the woman is in his head, or whether he is the one in the woman’s head. Soon, his time starts flowing backwards. As more time passes, Feng Zhengjie falls deep into his inner world, and the boundaries between dream and reality fall apart. When he closes his eyes, he hears the everyday sounds of modern civilization. When he opens them, he again sees a dense forest, and wakes with the wind of nature. He is young again. He wanders aimlessly, until he comes face to face with the woman he was haunted by.

Jangwon is declared bankrupt after he is made a victim of fraud by friend Minkyo. While desperately searching for Minkyo who has disappeared, Jangwon hears that another old school friend, Jiyeon, is also looking for him. Jangwon approaches her as he thinks it would make the search for Minkyo easier.

In the midst of longing and an unknown, strange dream, an alarm sounds and the main character, Jeong Ye-won, wakes up from sleep.