Jinchuan Duan

Documentary about the history and development of Qiqihar city.

Propaganda documentary on the Northeast Area Revitalization Plan.

The film documents a day in the life of Tiananmen Square in 1994, a mere five years after the crushing of a student-led democracy movement in 1989.

No.16, Barkhor Street is an old courtyard in the heart of Lhasa and the site of the office of the Barkhor Neighborhood Committee. This masterful cinema verité documentary, the landmark work in the history of independent documentaries about Tibet, provides is a photographic study of rich insight into the basic workings of government in Tibet as it that follows the local Party Secretary, Deputy Director, Director for Women’s Affairs, and Community Policeman, among others, as they implement official policies and manage neighborhood affairs.

On Tomb Sweeping Day, in 1988, a film crew set out for the monument of the Tangshan earthquake to shoot a memorial ceremony for the victims. This marked the beginning of shooting for a documentary called "The Great Earthquake." The crew continued to shoot through the rest of 1988, even staging a large-scale rock 'n' roll concert and performance art event on the Great Wall, and into 1989, including footage shot at the famous 1989 Avant-Garde Art Exhibition, where one artist fired two gun shots at her exhibit. More footage was shot during the Tiananmen protests, up until the events of June 4th shut down production for good. Shortly before, a two-hour "rough cut" was assembled by main director Wen Pulin and Assistant Director Hao Zhiqiang, which screened only once (and is preserved at University libraries in the U.S.). The footage has been recycled in some of Wen's later films, notably "China Action," but "The Great Earthquake" itself was never finished.

More preoccupied with "history" than Wu's other works, My Time in the Red Guards is a record of his fascination with the missed moment, Mao's Cultural Revolution. In 1966, the Red Guards ironically represented the official avant-garde, a movement carried forward by youth determined to become heroes of the Revolution. Wu interviews people who had joined the Red Guards as high schoolers, most now successful professionals, some Party members. The miscalculations and cruelties of this extreme cultural campaign are spread out before us, detailed by personal recollection and further illustrated by old agit-prop newsreels. Misgivings and fond remembrance vie for position as the interviewees seem to confuse the nostalgia of youthful action with the excesses of historical fact.

A film by Chinese documentary filmmaker Jinchuan Duan.

This documentary is named after the well known novel (and later propaganda film) of the same title, which offered a telling of an historic event in 1946 in Northeastern China, when the CCP initiated Land Reform as a means of attracting peasants to join-up with the PLA and help seize state power. Decades later, residents who are still alive and can recall those days offer their personal memories of the class struggle that erupted in Yuanbao Village. Meanwhile, in today's Yuanbao, the local cultural bureau is setting up the Museum of Land Reform as a memorial and a space for education.