Florian Schewe

A film that excavates layers of myth and memory, on an ancient Eritrean steam railway, to learn the elusive truth about Eritrea, its war-ridden history, and at the core of it all, a deep friendship that keeps it all going.

In Kinshasa, despite preparations for the construction of Africa's largest power station, the population often finds itself without electricity. The city's inhabitants, struggling for reliable power access, ingeniously utilize makeshift lights as essential means to survive their daily lives and maintain their ability to celebrate.

Koekie, Fluksie, Sanna and Jo-Marie live together in a safehouse in Bredasdorp, a small town in South Africa. This community of around 15,000 has been shaken by a series of rapes and murders of women. Community worker Lana O’Neill felt compelled to create a safe place for the most vulnerable women, so that what happened to Anene, Kayde, Sulnita and Jodene doesn’t happen to them too.

Forty years since Chernobyl. Volker Heise’s new film recounts the 1986 nuclear disaster for the first time from the perspectives of both East and West Germany and Ukraine, using archive footage only. TSCHERNOBYL 86 is a gripping political thriller featuring previously unseen archive material which brings the events of that time into an unsettlingly present-day context.​

There is nothing that keeps passionate social worker Wolski in Germany. On an uninhabited island in the Kingdom of Tonga he wants to give criminal teenagers a second chance. His first candidate is Marcel, 16, and no stranger to drugs, violence and crime. So a visit to the main island ends in disaster. Wolski only narrowly manages to keep the boy from being send to prison. The deal: From now on, Marcel is not allowed to leave the remote island at all.

A group of young journalists takes on the state propaganda.

On the day of his "exit", inmate Mark does his cellmate Boxer the friendly service of delivering his daughter's last savings. However, Mark gets into trouble due to the morally incorrect behavior of others, from which he is unable to wriggle out.

Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.

Sudanese youths, under siege from their own government, mobilise virtually and embark on the non-violent protests that eventually oust the sitting president.

A young pigeon fighter in Cairo leads his neighbourhood into the final battle. While pigeons may symbolize peace, here they reflect martial spirit and pride.

Hammer and compass in Mozambique. We see a GDR flag waved at a rally in Maputo, carried by "Madgermanes", contract workers who once toiled in eastern Germany. Some of them founded families there, like Eulidio. His daughter Sarah grows up with her mother in Berlin. The relationship with her "second home" is slow in growing, partly thanks to Luana, Sarah's baby, whose father, Eduardo is also from Mozambique.

The former French colonies in Central and West Africa have been independent since 1960, but most of these countries still use the currency of the former oppressor: the CFA franc. It was linked to the French franc when it was introduced, so the national bank in Paris controlled monetary policy. Now the currency has a fixed exchange rate with the euro. The link with the European currency strongly influences the monetary policy of CFA countries. And that means the value of the CFA franc is defined by political decisions taken elsewhere, rather than by the domestic economy.

Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?