Love, Deutschmarks and Death

Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.

Turkish arabesque, with its bitter, fatalistic, and reproachful lyrics, first emerged as the rebellion music of the slums during the industrialisation era following the establishment of the republic. With the cultural destruction of the 1980 coup, it became a music genre for the masses. The film features pioneers of the genre, such as Orhan Gencebay, Ali Tekinture, Muhtesem Candan, and Burhan Bayar, who explain the birth of this cultural-musical phenomenon, while its evolution is interpreted by Ezel Akay, Kadir Copdemir, Haluk Cobanoglu, and Serhat Koksal. The soundtrack was selected from a wide range of venues, from beer houses to high-end restaurants, from amateurs to well-known producers.