Mette Lange-Nielsen

The film is about suburban families, trying to be perfect housewives, and their theories in what is the right way of treating and accepting husbands and kids.

" Broder Gabrielsen " in its time awoke a major debate , and already during the shooting of the film went high waves in the press . The film points a strong warning against religious fanaticism and against contemporary preachers, and it met then also strong opposition from some of these . In the film we meet the piecemeal lay preacher , Brother Gabrielsen ( ALF MALLAND ) , who discovers how modern music , rhythms and ecstasy gives great success when it comes to getting listeners to his preaching . He will soon get his big break , and keeps ecstatic revival meetings with tongues and " healings " through prayer . It ends in discouragement and defeat then wonders absent for Gabrielsen , and personal tragedies for those who were misguided .

Mountain climbing and its dangers get a different twist in this standard drama by Norwegian director Tancred Ibsen. When one of two climbing buddies returns from an attempt to scale Eagle Peak, he is happy to claim his award for being the first to reach the summit. But his celebration is short-lived after his friend comes back down from the mountain with another version of his "victory" climb. This second version has the supposedly successful climber cast as an attempted murderer. The story behind the climb comes out in flashbacks as the Alpine Club reviews the accusation.

Finn Ek has a lover, Monica. When his wife Cecilia finds out, she is devastated and leaves town.

A man carries his wife down into the freezer in the basement. It is the painter Alex, who has killed his wife Christina. Helen is on the run from her impending silver wedding anniversary. She collapses onto the sofa at Alex's house, on his peaceful little farm, far away from people. Here, all you can hear is the faint thumping of a fishing boat on the fjord and the sound of a freezer starting and stopping at regular intervals.

Father and mother Andersen and their four children live in a closed down farmside storehouse in the outskirts of Oslo. They enjoy life here, but the many neibours surrounding them are less enthusiastic about the family's lack of respect towards the supposed social order and decency they live by.

One autumn day, Ivar goes to the Botanical Garden in Oslo to visit Maria who is the mother of a little girl named Tilla. Ivar is a child psychologist and had Tilla observed a few months earlier. Treatment for her was agreed upon, but Maria has not returned with Tilla. Now Ivar finds her sleeping under a tree in the garden, and he meets Maria bent over a microscope in the laboratory. Maria has become even more nervous and unbalanced than the last time he met her, because nothing has been "corrected" as quickly as she had hoped -- Tilla has not spoken now for a year and a half. Maria herself is on her way to being as closed off as her own little girl. Ivar persuades Maria to come to the pediatric psychiatric clinic with Tilla so they can begin her treatment. There she meets Mimi Backer. But neither does Mimi get Maria to open up about her experiences with Tilla. In the clinic's observation room, however, the first little flicker of light falls on the mystery...

A caretaker at a music academy is solving most problems for the young musicians, however not only the most appropriate way. But down inside he really has a dream of his own, which goes far beyond being the caretaker.