Radzhab Adashev

The father of the family and his brother go to work in distant lands. After working in Russia and seeing a lot, the heroes are confident that they can teach their fellow villagers a lot...

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Several passengers are rushing on a train to an unknown destination, each with their own problems.

About the struggle of Uzbek women against the reactionary clergy in the 1920s.

Alisher and his wife Zarina get into a car accident. His wife falls into a clinical coma. After his own death, Alisher finds himself in a parallel world. Fate gives him a chance to save his wife by changing the course of events.

In some kingdom was inhabited by seven Genie. Six are evil and one is good. Good Genie, despite the machinations of evil, helped the potter Nabi cheat khan to give water to irrigate the land of the poor.

The red commander Mirsharapov was sent to fight the Basmachi gang in Khiva. After the fighting, Junaidkhan's gangs are defeated.

Young guys from different social strata, some of whom have a criminal past, are called up to the airborne troops. Sergeant Alexey Burov (Alexey Serebryakov) was appointed commander of a platoon of recruits. It is he who instills in inexperienced "sons" the skills of hand-to-hand combat, mutual assistance and army savvy in the ongoing exercises. And now the day of baptism of fire has come. A unit of paratroopers receives an order to help border guards neutralize a large gang of drug traffickers trying to illegally cross the border...

Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…

The setting is Central Asia during the Russian civil war. In the post-revolutionary twenties, when the power in European Russia was (officially) "fully in the hands of the workers and peasants", but the fight against the Basmachi rebels was in full swing. When a Red Army detachment captures Sultan Mazar, the brains behind the Bazmachi contingent, a decision is made to escort urgently the prisoner to the Bukhara province. The difficult mission is entrusted to a grizzled mountain trapper and conscientious revolutionary called Mirzo. His expertise is essential to traverse the precarious paths and steep mountain ridges along the way, impossible terrain for the inexperienced. A group consisting of Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla set off on this journey. They are forced to fight on the mountain ridges as well as negotiate the natural dangers and harsh elements.

Timur is trying to prove to the relatives of his girlfriend and himself that he is worthy of their family. But Ulfat is married to another, after which the young go abroad. Timur graduated from the Institute and became the Director of a large car service…

A film about the friendship between the workers of the Uzbek collective farm 'Leningrad' and the city of Lenin. This friendship has grown stronger and developed over more than four decades. The film takes us back to the distant and difficult 1920s, when the farmers of Fergana sent a wagon of fruits to the workers of the Putilov factory. In return, the workers gifted the collective farm two tractors and sent their representatives to help set up the new machinery.

Hashim, together with his friends Arif and Zakir, embarks on funny adventures, plays pranks again and commits a lot of stupid things.

A Bolshevik army officer and Uzbek who has been nursed back to health by a young Uzbek woman to whom he is now married, gains responsibility for the local village in 1929. He is urged by comrades in Tashkent to have the local women drop their chadors and veils but he is also told that he should not force this on anyone. His wife declines to take off her veil, so a 14 year old girl steps forward to set the example, over the objections of the local Muslim clergy and most of the village men. After the girl is killed, and the commissar is shot, his wife takes him to the hills to nurse him back to health once again. She begs her husband to leave the village. Instead when he decides to return, she is pressured by her father to continue to wear the veil.

From Tashkent to Bukhara go on excursion in the holidays of the pioneers, selected from the best, but for two pioneers Shahir and Vitka this trip is primarily an opportunity to find the treasures of the last Emir of Bukhara, who hid them when the troops of the Red Army approached the city, and the Emir realized that he could not hold Bukhara. In Bukhara our friends are already waiting for their accomplices, the same pioneers Anvar and Gulka, who have a map of the alleged place of the hidden treasures. Upon arriving in Bukhara, the four treasure hunters begin their search for the treasure, finding themselves in funny and absurd situations.

The boy Akmal, his girlfriend Guzal and the policeman find themselves in a fairy tale where they defeat the insidious and cruel khan, who took water from people.

A romance by Ali Khamraev with musical numbers interspersed

A young doctor serving cotton growers goes to the city. On the highway, when trying to overtake a motorcade, the traffic police stops the car. The events that take place next are an accurate and witty model of a life permeated through and through with absurd relationships, ridiculous demands and inexplicable prohibitions...

The film is based on the story of the times of the Kokand khans, the love of the talented young man Anvar for the girl Rano, and their difficult fate.

...Pre-revolutionary Turkestan. The hardships and deprivations endured by the laborers — Turab and his wife — whose lives passed in joyless and oppressive toil.