Graham Weir

Set one hundred years ago, outlaw Johnny Madrid, after narrowly escaping death, goes on the run with the hangman's sensuous daughter Esmeralda by his side.

The true story of a white South African racist whose life was profoundly altered by the black prisoner he guarded for twenty years. The prisoner's name was Nelson Mandela.

It's South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it's Spud Milton's first year at an elite boys only private boarding school. Spud is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home.

As Spud Milton continues his awkward stagger through adolescence, he learns one of life's most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. "I'm practically a man in most areas," writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud's world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

The Visual Bible: Acts is a 1994 film that depicts the events of Book of Acts from the Bible's New Testament. All of the dialogue is word-for-word Scripture, taken directly from the New International Version of the Bible.

In 1997, six African women pledged that in the first year of the new millennium they would tell their stories, stories by African women. They called their series "Mama Africa" and drew their tales from the depths of their hearts. The result is a groundbreaking initiative bringing together the incredibly fresh talents of six female directors from the vast and diverse continent of Africa.

Intense love and hate bring a man and woman through personal tragedy.

The bodies turn out to be very radioactive. A sheriff and reporter start to investigate ...