Manni Laudenbach

A portrait of the brilliant, extravagant Kristina of Sweden, queen from age six, who fights the conservative forces that are against her ideas to modernize Sweden and who have no tolerance for her awakening sexuality.

Julian, Yasin and Addi learn from the executor of their deceased mother's will that the three men, who had previously been complete strangers, are brothers. The news hits like a bomb. A German family man with a penchant for tricks, a spoiled, ambitious Turk and a rapping African – the three siblings immediately hate each other and it would all be nice if their paths were to separate again soon.

Painting is an unacceptable vocation for a woman in provincial Germany in the year 1900, but budding artist Paula Becker is determined to make her own rules.

Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.

Nine-year-old streetwalker Emily lives with her widowed mother in 19th century New York. Her life changes abruptly when she learns that she has been appointed sole heiress by an aging, wealthy Austrian countess. It is not only an heiress who causes turbulence, but also the countess's attempt to raise Emily as a member of the aristocracy.

Alex is a passionate musician. He travels from one gig to the next with his tango band. He can't make a living from his music, but he doesn't really care. This changes when he and his bandmates steal a rocker band's tour bus and there is an accident. Alex's friend Tommy dies and the tango band is finished. Suddenly Alex finds himself without an apartment, a pile of debts and with the grim rockers breathing down his neck. There's only one thing to do: go into hiding.

This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.

Snow White’s stepmother is jealous of her beauty. So great was her vanity that she kept asking her magic mirror: "Mirror, mirror, on the wall, who in this land is fairest of all?". And he replied that Snow White was a thousand times more beautiful than she was. The vain queen refuses to accept this and decides that Snow White must die.