Tamara Degtyaryova

Energized by the arrival of a rich, elderly and seemingly eligible bachelor, a provincial noblewoman decides to marry off her daughter by any means necessary.

A West German concern is conducting secret negotiations on the production of an atomic bomb with an interested state. The son of the head of the concern, realizing the monstrosity and scale of his father's activities, interrupts the negotiations and returns home with the intention to publicize his father's activities.

The story takes place in the autumn of 1941. On a train slowly heading east, evacuated families of workers and employees from one of Moscow's factories are traveling. Gradually, fear and alienation give way to the warmth of human involvement and solidarity...

A new manager comes to the design bureau, he thinks outside the box, rejects routine...

The film is dedicated to the working class. On the example of the fates of the main characters, their biographies and characters, it reveals such urgent problems as the attitude of a working man to labor, the conformity of his inclinations to his chosen profession. The obsession of the heroes and their complete dedication to their favorite work is the core of the script's dramaturgy. For both Nyurka and Mikhail Antonovich, the factory is their home, with which their entire lives are connected.

At the heart of the movie - true stories about separations and meetings, about search of relatives, the proceeding many years after war.

The movie is based on short stories by Viktor Dragunskiy about Denis Korablev, his friends and family.

After leaving the army, Victor Koltsov (the main guy in the movie "Attention! All Posts...") starts working for the police. While looking into a burglary, Victor comes across an 11-year-old boy who ran away from an orphanage. However, the hero does not take drastic measures, but gets to know the children better and does everything possible to restore hope and faith in a better life to these disadvantaged children. "When a child becomes an orphan after losing his parents, it is terrible, but understandable. But an orphan with living parents is both terrible and incomprehensible. The hero of our film confronts the tragedy of such children, who were given life but deprived of a home, maternal affection, and warmth," said director Igor Voznesensky about his film.