Federico García Hurtado

Kuntur Wachana is a docudrama in which Garcia re-created the 1950s uprising of the Huaran hacienda campesinos against the hacendados, which led to the assassination of two union organizers. The film then follows the travails of the peasants until 1969, when the Huaran Cooperative was formed.

A stranger arrives in the country from a distant galaxy. He lands somewhere in the Andes near the small town of Paucartambo in Cusco. He comes from an annihilated planet and has been sent in search of a habitable world where his civilization can settle. When the stranger enters into contact with the village people he gradually regains his human condition. He finds love and sex with a prostitute, who is waiting for miracle, he finds a strange mixture of goodness and greed in the village mayor and his family and with the indigenous poet and shaman he grows closer to the bounty, beauty and unfathomable mystery of nature.

The life and legend of Arequipa poet Mariano Melgar (1791-1815), hero of the insurrection led by José Angulo and chief Mateo Pumacahua in the Viceroyalty of Peru in 1815.

Julio César Arana, a rubber baron in the Putumayo region, who was characterized by being a callous, heartless, and debased personality, allies himself with foreign companies, to exploit rubber reserves in the Peruvian Amazon region. He stops at nothing, not even the extermination of indigenous tribes. Thus, the so-called crimes of Putumayo occur; the Amazonian communities rebel and resist.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Review of what “Huando” (Lima) was doing, before and after the Agrarian Reform (1969) carried out by the military government of General Juan Alvarado. Images of the hacienda considered in its time as an organization model, due to its productivity and efficiency.

A painful true story of a revolutionary Andian warrior whose strength and devotion to his people influenced many in Latin America, Africa and the West.