El socio de Dios

The life and legend of Arequipa poet Mariano Melgar (1791-1815), hero of the insurrection led by José Angulo and chief Mateo Pumacahua in the Viceroyalty of Peru in 1815.

In Fuerabamba, according to the myth, the land dried up since, in ancient times, the world of the community was captured by the Iberian conquerors and taken prisoner in the Pamparqui ranch. For this reason, the Fuerabambinos lost their status as farmers and became rustlers. During all the stages of the hacienda to free the prisoner god and recover their status as farmers, they were always rejected. Laúlico, head of the community, makes decisions at the hacienda but then finds himself and his people once again.

A painful true story of a revolutionary Andian warrior whose strength and devotion to his people influenced many in Latin America, Africa and the West.

A stranger arrives in the country from a distant galaxy. He lands somewhere in the Andes near the small town of Paucartambo in Cusco. He comes from an annihilated planet and has been sent in search of a habitable world where his civilization can settle. When the stranger enters into contact with the village people he gradually regains his human condition. He finds love and sex with a prostitute, who is waiting for miracle, he finds a strange mixture of goodness and greed in the village mayor and his family and with the indigenous poet and shaman he grows closer to the bounty, beauty and unfathomable mystery of nature.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Kuntur Wachana is a docudrama in which Garcia re-created the 1950s uprising of the Huaran hacienda campesinos against the hacendados, which led to the assassination of two union organizers. The film then follows the travails of the peasants until 1969, when the Huaran Cooperative was formed.

Biopic about the life of Jose Carlos Mariategui.

Review of what “Huando” (Lima) was doing, before and after the Agrarian Reform (1969) carried out by the military government of General Juan Alvarado. Images of the hacienda considered in its time as an organization model, due to its productivity and efficiency.

Documentary.

A young man from Lima arrives as a tourist in a town in Huaraz. His intention is to climb the Alpamayo mountain. The community is shaken by violence, both from terrorism and its repressive aftermath. As a way of explaining this difficult situation, the inhabitants of the place appeal to their myths, one of which is that of the pisbacos, white men who extract human fat to exploit it outside the country. These mythological killers seek to take the vital and cultural wealth of the Andes to the big city. After being pursued, the truth is revealed and the young man learns to respect the way of life and the culture of the Andean environment.

Fictional reconstruction of the famous “Huayanay Case” that highlighted the age-old opposition between the official country and the real country.

Documentary about the force of the scissors dance, its historical importance and cultural resistance through the body and its movements.