Joana Barrios

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

On his deathbed, His Majesty Alfredo, King without a crown, is taken back to distant youth memories from the time when he dreamt of becoming a fireman. His encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.

A look back at the history of Brancusi's futuristic golden bronze phallus "Princess X" that is in fact a bust of Napoleon's incredible great-niece, Marie Bonaparte.

The film INSERT was conceived has part of MEMOGRAMA by Filipa César, an installation that approaches the history of Castro Marim, a village in the southeast of Portugal, known for salt production and as a location for banishment and forced labour. The translation of sin into salt. The film INSERT creates staged images on the landscape of this place and offers a set for the announcement of a forbidden encounter.

In Cacheu, Filipa César once again applies the economic technique of using a single shot – letting a 16mm film roll to the end – without editing. Here, the montage is a process that takes place before shooting, so that the image produced is the result of a performative assemblage between text, acting, projected image and framing by the cameraman and director of photography, Matthias Biber. A lecture, performed by Joana Barrios, brings together elements of César’s research on four colonial statues, which are stored today at one of the first establishment for slave trade in the West African country of Guinea Bissau – the Cacheu fortresses, constructed by the Portuguese in 1588.

A group of queer people is kidnapped and dumped in the middle of nowhere. Are they left there to rot? Is this a concentration camp? Or a hunting ground where they are the prey? When you've got nothing left the only thing you can do, is find your way to resist.

João is an immaterial girl, refusing to be anything other than what she wants to be, regardless of her age, gender or race. When Tiago looks at her it’s like she’s always a different person. Literally. But when their relationship becomes too real, he will have to confront the prejudices that he doesn’t even know he has, to understand the world that she created for herself.