Nothing Left

Three Portuguese queer short films brought together in a program that charts an alternative path through converging universes, forming a new constellation of desires, fears, and struggles. Entre a Luz e o Nada by Joana de Sousa, Sob Influência by Ricardo Branco, and Uma Rapariga Imaterial by André Godinho are three cinematic gestures that explore techniques and narratives from science fiction to horror, seeking new ways to view and imagine other possibilities. After traveling through various festivals, these films can now be experienced together, in a mutual exploration of mysterious worlds, unsettling dreams, and singular visions.

Two lovers hit the road for a holiday. They find a car that has been hit, and a dead woman by the accident. Two production assistants try to leave the set, but all the roads seem to hit the same spot, where they find a dead woman that walks.

A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.

João is an immaterial girl, refusing to be anything other than what she wants to be, regardless of her age, gender or race. When Tiago looks at her it’s like she’s always a different person. Literally. But when their relationship becomes too real, he will have to confront the prejudices that he doesn’t even know he has, to understand the world that she created for herself.

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

In 1927, Luís Wittnich Carrisso, professor at the Coimbra University, travels to Angola to study the local flora. Second episode of a series of 4 documentaries on the Botanical history of Portugal.