Jerome de Missolz

Two men meet in Milan for 48 hours. They met for the first time, elsewhere. The voice-over speaks of this first weekend and the images are those of the second. The film brings them together and goes beyond them to evoke a city and a passion.

The first documentary about France's post punk and cold wave scene in the late 1970s and early 1980s. During an art show at agnès b. gallery in 2008, Jean-François Sanz has gathered some exceptional material that brings to light, through archival footage and about thirty interviews to the main players, the pop culture heritage of that moment.

Aurore collective is composed of 50 sequences filmed in Dijon and Paris (successive places of residence of the filmmaker), Chalon-sur-Saône, Valence, Cannes, Greece, India, Afghanistan and Pakistan.

Putting a camera between myself and my life. It can go badly. Cinema as a thérapy.

A private look at the fall 1994 fashion collections in Paris.

Nusrat Fateh Ali Khan is the last in the line of a family of Pakistani musicians who have dominated qawwali (Sufi song) for 600 years. The Sufis translate their belief in Islam through poetry, music and song, elevating their souls in public and going into a trance like state. I discovered the Music Room, a theatrical, mystical space, a tomb cut off from reality. It was here I decided that I would approach the intimate, spritual reality of the musician. I wanted to deal with the artist's "world" dimension, remixed house-and-funky style in England. In this way I could treat the question of art caught in a tug-of-war between proselytism and commerce

Two Paris combat gangs fight for a girl who oscillates between these two groups: Asnay and Crazy cats.

Who was Raymond Loewy? A designer with the golden touch - such a genius that he could cross the US by air, rail, or road, stylishly seated in a plane, train, or automobile he'd designed himself! French designer Raymond Loewy was a star when the American Way of Life was at its flamboyant capitalist peak. He styled his own destiny as a Hollywood thriller. After all, he was a tycoon, a New York celebrity. Yet by the end of his life, he’d been forgotten. He took the mystery of his iconic Coca-Cola bottle to the grave with him. The bigger they are, the harder they fall: One day, megalomania got the better of Loewy, and he came to a tragic end. Suspense, drama, twists of fate: Loewy invented the medium as the message.

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"

An examination of Charles Chaplin's final starring film.

Pierre Hodgson explores in this documentary race relations in the States as well as his father’s past in journalism.

A portrait of American photographer Joel-Peter Witkin.

Based on a notorious novel by Louis Calaferte, this erotic drama concerns a man exploring the boundaries of female sexuality through a variety of sexual encounters with beautiful women he barely knows. La Mecanique des Femmes features copious male and female nudity as the nameless leading character discusses sex and sensuality with his predominantly female supporting cast.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

While his mother is dying of cancer, Laurent starts a relationship with a handsome stranger who promises to help him with a film carreer.

You'll see Johnny Rotten or rather his ghost Johnny Lyndon insulting human herd with "this is religion, your religion". The last images of a film which lets you no escape, no more escape than the punkette who exhibits her genitals in a toilet hallway, no more escape than all these rockstars who belch to fill the void. On the music aspect, there is a combinatorial saturation of sounds that looks like a requiem. The images : uninterrupted movement un a daily apocalyptic space. This is about savagery, frantic intoxication, suicidal energy.

From Vogue magazine fashion photographer to filmmaker, painter and sculptor, Bailey is the working-class Londoner who befriended the stars, married his muses (Jean Shrimpton, Catherine Deneuve, Marie Helvin) and captures the spirit and elegance of his times with his refreshingly simple approach and razor-sharp eye. He is also the man whose life and work inspired one of the cult movies of the sixties, Michelangelo Antonioni's Blow-Up, and who has constantly travelled the globe either with the most beautiful models or chronicling the contemporary reality of Papua New Guinea, Brazil, Vietnam, Afghanistan and other countries with ground-breaking reportages. Above all, Bailey is a romantic with a delightful sense of humour approaching his 73rd year and showing no sign of slowing up. Director Jérôme de Missolz has created an engaging portrait of this very private man who bared the soul of the swinging sixties and seventies with his photographs and films.

Fiction-documentary about the short life of the photographer Francesca Woodman (1958-1981) who used to photograph herself, mostly naked in strange places, until she committed sucide. American photographer Francesca Woodman is best known for black-and-white pictures of herself and of female models, which still draws new fans. Many of her photographs show young women nude, blurred (due to movement and long exposure times), merging with their surroundings, or with their faces obscured. Years after her suicide at the age of 22, her photographic works became the subject of much attention, including many exhibitions and books.