Tseng Wen-chen

A mainland Chinese filmmaker, exiled to Hong Kong for her politically-charged work, reunites with her mother on a trip to Taiwan.

Lanyu - Orchid Island, is a small tropical island where its aboriginals take preys on the flying fish, a symbol of bliss and abundance, to make their living. Three young men Behong, Jeddah and Qingkuang known on the island as the "Three Musketeers" for their life long friendship and strong bond are enjoying their little piece of tranquility.One summer day, a beautiful young woman named Zing arrives in this small island from Taipei. She is on a business trip to survey remote regions for cellular coverage and will inadvertently change the Three Musketeers lives and hers as well…

Director TSENG occasionally began to record the daily life of her mother, out of the need of completing her documentary assignment at school. The films presents a mother's persistence when facing difficulties and her love for her children. In the meantime, interactions and conversations between mother and daughter are revealed spontaneously.

Drawing on the first-person accounts of former postal worker and political prisoner Hsu Chin-Yu and her peers, this documentary confronts the grim fate of some who dared to oppose the authoritarian regime of 1950s Taiwan.

Four Indonesian female caregivers, each from a different generation, share their lives in Taiwan. On their days off, they gather at Taipei Main Station, reclaiming their freedom while facing the struggles of migrant women. This film unveils their stories, highlighting resilience, identity, and empowerment.

Before the family home in Shalun, Taoyuan, was demolished under the Taoyuan Aerotropolis redevelopment project, the director's mother passed away unexpectedly. Yet in her absence, the family's long-fragile order seemed to stabilize, even appearing strangely "happy." This subtle and difficult truth compels the director to repeatedly return to the old house on the verge of disappearance, insisting on bringing back her father and brothers, who are trying to move on. As the boundaries between filming and being filmed blur, differing attitudes toward farewell gradually emerge, and long-suppressed memories begin to seep through. The director is left asking herself: Is this an attempt to preserve memory, or a way of trapping herself in a cycle of loss from which she cannot find closure.​​​