Birgit Tengroth

It's the last night of 1899. In Helsingfors they celebrate the new millennium. The students at the university are dancing and among them is Helge Ulfstjerna.

A fractured portrait of desire and isolation, following a failing marriage and parallel stories of emotional entrapment as memories surface during a train journey through postwar Europe. Told through flashbacks and multiple narrative threads, the film signals Ingmar Bergman’s emerging mature style.

A young woman dies by suicide and leaves all her belongings to her next-door neighbour, who becomes determined to investigate her reasons for taking her life.

Porter's wife Emma has three daughters, all "marriageable". All three have worries about marriage.

A married writer's luck turns when he gets a play produced at Théâtre de Paris. He meets the femme fatale who should play the lead in his play. Passion and conflict occurs.

Ludvig and Sussi Battwyhl, Louis and Katja Brenner and Julia and Kurt Balzar are upper class millionaires. They don't seem to do any real work but still need a vacation in the mountains. Everybody seems to be romantically involved with everybody. A rich American woman joins them.

Arvid and Lilli Ekman is a senior couple with one single adult son, Arne. They find out that the son is secretly engaged with the young Margit Berg - and that they already have a three-year-old son together.

A drama about the manager Håkan Dahlin who has just been discharged from a clinic where he was treated for his alcoholism. In an outbreak of jealousy, Dahlin abuses his wife Inga and after that he is forcibly interned again. Inga is a nurse and she is now moving to a mountain village to work at a district clinic. During an emergency visit, she encounters her childhood sweetheart, the doctor Gunnar, and old feelings between them begin to flare up again.