Preben Lerdorff Rye

A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.

The three sons of devout Danish farmer Morten have widely disparate religious beliefs. Youngest son Anders shares his father's religion, but eldest son Mikkel has lost his faith, while middle child Johannes has become delusional and proclaims that he is Jesus Christ himself. When Mikkel's wife, Inger goes into a difficult childbirth, everyone's beliefs are put to the test.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

In a Danish village in the early 1600s, a young woman named Anne, whose mother was thought to be a witch, develops sympathy toward an old woman, Marte, who is accused of witchcraft. The intervention of Anne's older but kindly husband, Pastor Absalon saved her mother -- but now, urged on by his overbearing mother, he refuses to help Marte. When Absalon's son returns home and is attracted to Anne, it's a matter of time before her family destiny catches up with her.

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) a drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go.

Behind the red gates lies Dyrehaven with the green beeches and the famous zoo hill - the motley world of clowns. Professor Labardi is behind the popular singer pavilion, where his young daughter, Gulnare, performs. After a rainy summer, there is an economic low tide on Bakken, and the family is tempted to seek help from Gulnare's enterprising suitor, Carlo Petersen. But Professor Labardi carries a secret: the clown family has family ties to the fine legal world outside the gates. There is conflict, money transactions, love, hypocrisy and villainous streaks when the fine world and the hill folk meet. Behind the Red Gates is a terrific folk comedy that takes us behind the attractions at the traditional amusement park in Klampenborg.

With "The Normans," painters Paul Gernes and Per Kirkeby wanted to make a film about the Viking Age, but not a traditional fiction film set in that period. Instead, the film has a contemporary setting, in which a guide shows various historical sites and tries to bring the past to life, even though she has only one interested listener. Within this framework, episodes from Danish mythology are brought to life: King Skjold, Rolf Krake, Regnar Lodbrog, the Battle of Svold, etc. The film mainly follows the account in Saxo's chronicle, but also dramatizes a story by the Arab author Ibn Fadlan. He described the cremation of a Viking chieftain in Russia around the year 900, where, among other things, a slave woman was sacrificed after ritual intercourse. The film is based on a number of historical and archaeological studies. The loose form is intended to emphasize how fragmentary our knowledge of the Viking Age actually is.

After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.