Diana Lante

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

Piero is the leader of a group of university students who lead a carefree life. Finding himself in trouble and in need of money, he turns to criminal means—receiving aid from Daniela, the daughter of a rigid magistrate.

Greedy Baron Antonio Peletti refuses to give to his town the heredity left by his father, a box full of precious jewels, which he keeps for himself. The major and the rest of the townspeople therefore organize a trick at his expense: they'll make him believe he is dead, and, in a fake "afterlife", they'll try to convince him to finally show them where the money is hidden to save his soul.

I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard

Sunday is the only day off that house maids use to date the young men who cross their paths: doormen, soldiers, sailors, timid virgins and lurid husbands, or even a doctor.

In 1915, at a time when Austria, Germany and Italy were supposed to be allied, two Italian brothers are pitted against each other not only for divisive politics but also because they love the same girl, Anna, the niece of an Austrian lieutenant.

Karin, a Swedish music student in Rome, falls in love with Bruno, a medical student. After learning he is married, she returns to Sweden, where she meets and marries David, an American diplomat. When he is assigned to Rome, Karin’s past unexpectedly comes back into her life.

A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.

Lieutenant Mario Ludovici, an army officer, gets himself transferred to a Libyan post when his romance with society girl Cristiana goes on the rocks. Ludovici is looked upon as a weakling by Captain Santelia, the hard-boiled commander of the troops, but after a bitter campaign against a rebel tribe Ludovici proves his true worth and returns as commander when Santelia is mortally wounded. Cristiana arrives and tries to entice him to return to Rome, but he decides to stay in Africa with the army.

Carlo, a young doctor, occasionally meets Anna, the daughter of professor Valli. Carlo falls in love with Anna, who returns his feelings; but her father longs a brilliant marriage for her.

ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.