Johanna Ewald

Maud Goodin is the daughter of a millionaire, content with her present life, but she is an interesting conquest for those wants to get on the social ladder.

The traveling salesman for a bathing suit company has trouble getting business until he meets a girl willing to take off her clothes and act as a model.Misunderstandings and complications ensue.

Johann Strauss helps the business of a Viennese wine merchant and his daughter by showing up to conduct the orchestra at a party.

Tenor Enzo Curti, a widower with a young child, falls in love with a secretary from New York. Liselotte has experienced disappointment in her first love, Helmut, an ocean liner officer. She marries Enzo Curti, but later, when she meets Helmut again, she experiences emotional stress as love struggles with a sense of duty in her heart.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.

Elisabeth is subject of a girl's boarding school run by the nuns. The village idiot Michele adores her and is particularly drawn to her organ playing. In his madness, he kills the girl's father and tries to lay the blame on the organist.

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.