Sigurður Sigurjónsson

Top volcanologist Anna Arnardóttir faces two disasters at once: a volcanic eruption that threatens the safety of the capital city and a love affair that could destroy her marriage.

Áramótaskaup: 2018 is an Icelandic TV movie satirizing the events of the past year.

In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country’s best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi’s sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. But Gummi and Kiddi don’t give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits.

The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.

When Baldvin and Inga's next door neighbours complain that a tree in their backyard casts a shadow over their sundeck, what starts off as a typical spat between neighbours in the suburbs unexpectedly and violently spirals out of control.

A widowed farmer begins a new life on her own terms by fighting against corruption and injustice in her community.

In a remote Icelandic town, an off duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love.

A postal worker falls in love with the Chinese waitress at a Chinese restaurant. They start dating and quickly fall in and out of love, the waitress returning to China. The young man looks for comfort in his father but he's too preoccupied with winning the Eurovision song contest. After listening to loser friends talk about what Sylvester Stallone would do in his situation, the postal worker decides to buy a ticket to China and follow his love to her home.

Emily is a young boy that dreams about owning a dog and he starts working so he can save up to buy one. Meanwhile his family are dealing with money problems.

A desperate city slicker engineer cheats his way into a small farming community, pretending to know how to save them by re-financing their slaughterhouse not knowing that he's walking into a local world war of small-town politics and general misbehaving.

A one-man stage play with Laddi, Iceland's most cherished comedian.

This is the story of how Þór and Danni run a farm. They get a job running a farm for a local farmer that is going on a vacation to sweden, they of course pronouns them selfs as experts in the field of agriculture, witch they of course aren't. When they have managed to get the "hold" of things they get the brilliant idea to have a agricultural seminar for city people on the farm.

Löggulíf is the third movie in the "-life" trilogy of knockabout comedies about the cheeky lads Thor and Danni. The others are New Life and Pastoral Life.

Devil's Island is a bitter sweet tale of Iceland in the fifties. Life is rough in Reykjavik's post-war slum of Camp Thule, where the abandoned US military barracks have been turned into makeshift homes. Struggling wives and their hard-working husbands try to make ends meet. The younger generation dreams of dollars, Rock'n'Roll and the American way of life. To celebrate or to drown their misery - they're never short of a good reason to booze. Devil's Island vividly depicts the everyday life of a wacky family, their neighbours and friends and shows how some of their dreams come true and others don't.

Every year, on a large island just outside of Iceland, there is a huge football tournament for kids. Ten-year-old Jón and his team go to compete, but he will have to grow up faster than expected, both on and off the pitch.

Our hero is Umbi (an acronym for emissary of the bishop), sent by him to undertake an important investigation at Snæfell-glacier. In particular he is to look into the conduct and behavior of Jón Prímus, the old pastor at Snæfell. Fantastic rumors are rife: amongst other things it is said that a corpse is lodged in the glacier! Armed with his tape recorder and notebook, Umbi embarks upon his mission. He tries to question the weird locals, a weird lot, but gets evasive answers. Slowly he is dragged into a quagmire of strange happenings and his efforts to understand only make him confused. If at the beginning he is a chipper, a mere device, by the end of the story he is inextricably involved, a committed participant in the bizarre events.

Trausti returns to Iceland just in time to be entangled in a family feud over a stranded whale-cadaver. His mother (the family head) is mortally wounded and Grim kills Erikur; the other clan leader. Isold, daughter of Erikur now takes his place. Isold and Trausti are attracted to each other, but Isold was promised to Hjoerleifur - the son of the Bishop (of Iceland) and his powerful wife. However, Isold has a plan...

The head of the Reykjavík police department's internal affairs unit decides to use his investigation into a corrupt police lieutenant to take down a major criminal organization.

This Icelandic tale, loosely based on the real-life experiences of director Fridrik Fridriksson tells the saga of a boyhood spent in Iceland in the 1960s.

After 3 years abroad Junior returns to Iceland with his set of problems hoping that his father can sort them out but his homecoming isn't quite what he had expected.

Stella and Salomon run a business together, framkoma.is. Salomon is hired by Anton Skúlason, pilot, to beautify and transform a village, that he owns. Stella stays in the town and starts teaching politicians how to act for the coming elections. By accident Stella gets involved with the Centrum party, the main rival of the Central party, and before she knows it she's head over heals in politics.

Ashamed for being a debt-collecting thug, David believes that he is an ugly duckling waiting to become a swan. Through an unlikely mentor he finds out that life has indeed something very special in store for him.

A young farmgirl, Belle, with a history of being trapped in toxic relationships, becomes trapped by the Beast who promises to cure her sick father with a rose if she stays with him.

Six people. Living in one building but following different paths. Each gets through the day in their own way – and with their own voice.

Twisted tales run wild in this mind-bending anthology series that reveals humanity's worst traits, greatest innovations and more.

Jól á leið til jarðar is an Icelandic television series that first aired on Icelandic public television channel Sjónvarpið in December 1994. The series is a part of Jóladagatal Sjónvarpsins, an ongoing series of televised advent calendars. It was created by Sigurður Örn Brynjólfsson and Friðrik Erlingsson, and was the first stop-motion advent calendar on Icelandic television. The show was produced at Nukufilm studios in Tallinn, Estonia. The show was voiced by actors and comedians Sigurður Sigurjónsson, Laddi and Örn Árnason. Jól á leið til jarðar was rerun on Sjónvarpið in December 1999 and 2007. A physical advent calendar containing leads to each episode's plot was published in conjunction with the initial airing of the series.

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.

Spring of 1971, Johanna, a professor of Nordic Studies comes home from Paris to attend her father’s funeral. She’s also looking to find work at the University, but her feminist viewpoints about the systematic silencing of women’s voices in history does not go over well with the university board.