Marta Aura

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

The story of a dysfunctional couple, whose problems will inevitably deteriorate their marriage and their son's life.

On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.

A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

Alcoholic prostitute Gloria is in the middle of a business deal with gangsters when a fatal confrontation occurs. She flees Mexico City, returning to her native Madrid, where she's reunited with her comatose husband and his mother, while hitman Eduardo is pursuing her to retrieve information.

Alejandro Gerber Bicecci's "Vaho" (Becloud) tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.

Family honor, greed, machismo, homophobia, and dreams collide in a small Mexican town.

It is the final decade of the 18th century in New Spain. We are in Mexico City, inhabited by local adventurers, native inhabitants and Europeans of every kind. In these surroundings, our characters, Jerónimo Marani, court choreographer, Giovanni, his mestizo son, and Victoria, the daughter of the most prominent family in the city, who is in love with Giovanni, live a life of love and aversion, court intrigue and popular grievances, Viceregal dogmas and dreams of freedom. Mexico´s war of independence is only a few years in the future.

The young trapeze artist Alma is part of the show of a miserable traveling circus. In an act of desperation, Alma commits incest with her father, a sick clown obsessed with the woman who abandoned them. Determined to have his child, Alma leaves the circus and joins a group of preachers led by Refugio, a woman who performs puppet shows with biblical passages in poor neighborhoods.

A married woman, who's husband leaves her alone way too many times, is seduced by a junior spoiled young man, leading her into the fullfillment of her unsatisfied needs.

Aging politicians who have faded from the public eye hold a cocktail party to celebrate one friend's appointment to the President's Cabinet. Illusions are indulged, illusions are shattered.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

In the middle of a city facing a new century, a group of friends between the ages of 15 and 18 live out the adventures, deceptions and anxiety of "The First Night."

Four nuns are raped by a group of lepers. Although they all turn out to be pregnant, their status is hidden from them in the convent.

A tragic and epic love that transcends time and generations unites Maria and Javier forever. During important periods in Mexico (The War of Independence, the Revolution and current times) these souls play out their destiny facing political squabbles, social pressures, family hatred and historical battles, seeking to make a relationship flower which seems fated to die.

Matilde is a nun convinced that faith moves mountains. She secretly begins a mystic fasting to end what she considers to be the second great flood. Elena is a thin and fashion-conscious woman ashamed of her daughter's chubbiness. She's willing to do the impossible to make her daughter Linda thin so Linda will look like a little princess on the day she receives her first communion.

Two young people, who knew each other in a previous life, meet again. Alejandro recognizes Yolanda, who is from a strange family that has the disadvantage of living a very long time, which is also to blames for the mysterious disappearance of his father. Alejandro embarks on an adventure to delve into the secret of his fathers’ death and in the meantime, wonder if he’s capable of abandon his life to fulfill his destiny.

"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio and Mamá Dorita. They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".

Alberto is a disc-jockey at a radio station. His life is torn apart by the memories of his ex-wife and his free and careless life in the 60s. Alberto remembers, and his memories don't let him live his present life with Ana, his current girlfriend.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

A bureaucrat gets a house and even a car on credit thanks to the support of a compadre who is a union leader, but then has difficulty paying because he is fired in a job cut despite the many years he has been working.

Having partaken in Eden not only of the tree of knowledge, but of the tree of life eternal as well, Adam and Eve became immortal and now find themselves wandering throughout the world in a journey of extreme sexuality and boredom.

After her husband leaves her for a younger woman, the helping of her caring, but cynical godmother, is not enough to prevent Julia from plotting her revenge.

Marina is a beautiful, sweet young woman who makes a living driving a tourist boat. Her simple life transforms when her mother dies unexpectedly and she inherits a large family fortune. Marina moves into an elegant mansion owned by the wealthy Alarcón Morales family, who treat her with evil, scorn and rejection.

Cenizas y diamantes is a Mexican telenovela produced by Eugenio Cobo for Televisa and originally broadcast on Canal de las Estrellas from June 4, 1990, to January 18, 1991. Created by Paulino Sabugal and adapted by Josefina Palos, the telenovela stars Ernesto Laguardia and Lola Merino. The story follows Celeste Ortiz, a kind and beautiful young woman who lives under the control of her ambitious stepmother Andrea and her stepsisters. Her life changes when she meets Julián Gallardo, a wealthy young man who also faces conflicts within his own family. As their love grows, they must overcome betrayal, family rivalries, and the schemes of those determined to keep them apart.

Una luz en el camino is a Mexican children's telenovela produced by Mapat L. de Zatarain for Televisa and originally broadcast on Canal de las Estrellas from March 30 to July 31, 1998. It is an adaptation of the Argentine children's telenovela El árbol azul (1991–1992), created by Mario L. Mortheo and adapted for Mexican television by Alejandro Orive and Carlos Daniel González. The story follows Luciana, a young girl who loses her mother at an early age and longs to have a loving family again. After meeting child psychologist Marcela, she becomes determined to bring her and her widowed father, Rodrigo, together. Along the way, they must overcome grief, misunderstandings, and the schemes of the ambitious Astrid, who seeks to marry Rodrigo for his fortune.