Jeremiah Hayes

Documentary about the role of Native Americans in popular music history, a little-known story built around the incredible lives and careers of the some of the greatest music legends.

A documentary about Jewish refugees from Nazi Europe who, at a time when all doors were closed to them, found sanctuary in Shanghai, thanks to the intervention of Chinese diplomat Ho Feng Shan who as Chinese consul in Vienna defied the Nazis and his own government by issuing travel visas to the desperate refugees. The film tells the story from the point of view of the refugees and the Chinese people who sheltered them. In light of today's refugee crisis, an inspiring poetic tale about two peoples who found common cause and dignity in a world in chaos.

Martin Duckworth is a staunch defender of peace and justice and one of Quebec’s most important documentary filmmakers. Helped by his 47-year-old daughter, who is on the autism spectrum, the octogenarian supports his wife, photographer and activist Audrey Schirmer, through the final stages of Alzheimer’s disease. Characterized by captivating resilience and strength, this moving biography soberly directed by Jeremiah Hayes allows Duckworth to reflect candidly on the key personal and professional moments of the couple’s lives. Dear Audrey tells a story marked by incredible twists and turns and a consistent attitude toward challenges. The film takes place more in the present than the past, becoming a powerful testimonial to the growing and unshakable love of a husband for his wife.

In the wake of Hurricane Katrina, Canadian billionaire Frank Stronach offers inner-city evacuees 5 years free rent in rural Louisiana to help “break the circle of poverty”.

The evolution of the depiction of the various Native American peoples in cinema, from the silent era to the present day: how their image on the screen has changed the way to understand their history and culture.

After experiencing a traumatic event in Igloolik (an Inuit hamlet in Foxe Basin, Qikiqtaaluk Region in Nunavut), Uyarak leaves her community and family in Nunavut to live in Montréal. When Covid-19 lockdowns close off the Canadian Arctic from the rest of the world, Uyarak is further separated from her closest friend, eldest sister, Saqpinak. This extreme situation blurs the lines of both the fictional lives of the sisters, and the non-fiction lives of the film’s directors, Lucy Tulugarjuk and Carol Kunnuk, who play the sisters.

Eylem Kaftan is preparing for a 1400 km journey to South Eastern Turkey. Armed with only a few contacts, a faded family photograph and a passionate urge to discover the truth, the filmmaker will to attempt to unravel the 30-year-old mystery of her aunt’s murder.

In the past 20 years, some 300,000 English-speaking people have left Montréal, convinced they had no future in a Québec that had become increasingly French, increasingly nationalistic. In this video we meet some of the people who are moving away and recall the days, in the last century, when there were more English-speaking people than French in Montréal. The video poses a controversial question: Will the city, with its youth leaving in great numbers, become a community of the elderly, unable to renew itself?